Optoma UHZ68LV Projector: Design

The UHZ68LV has been designed with medium to large theatre spaces in mind. With a footprint of 498 x 331mm and tipping the scales at just over 9kg (net), it’s finished predominantly in matte black with a high-gloss top plate. That top panel cleverly conceals manual zoom and lens shift controls under a hinged flap, alongside onboard menu navigation buttons, giving direct tactile control even before remote or system integration begins.

The centrally mounted lens is ringed in a brushed metallic surround, adding visual definition to its faceplate. A chrome-effect triangle offers onbody power and input selection. It’s a well-thought-out, professional aesthetic.

Connectivity is extensive and installer-friendly. The rear panel features three HDMI inputs (2x 2.0, 1x 2.1 with eARC/ARC support); three USB-A ports (1x service, 2x power output); 3.5mm analogue audio out and digital optical audio out ; RJ45 LAN port and RS232 for IP and serial control; DIN 3D sync port, and two 12V triggers (labelled A and B).

If the home cinema space is going to be used for gaming as well as movies, Optoma sits ready, with low latency mode and ALLM over HDMI. There’s 4K 120Hz game play available on the 2.1 input.
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The UHZ68LV also ships with a compact remote control.

Optoma UHZ68LV projector: Features

Under the hood, the UHZ68LV uses a novel red and blue dual-laser configuration, offering long-term performance (30,000 hours rated laser life) with minimal maintenance. The dual-laser setup boosts colour vibrancy and contrast performance compared to previous single-laser iterations, and is a significant upgrade from the outgoing UHZ65LV model.

With a 1.6x manual zoom, vertical and horizontal lens shift (+/-10% horizontal, +20/-6% vertical), and four-corner keystone correction, the projector is surprisingly adaptable to a variety of rooms and throw conditions. Throw ratios range from 1.2:1 to 1.92:1, covering a screen size sweet spot from 30 to over 300 inches. It even supports 360° orientation and 24/7 operation, making it viable for both residential and commercial installs.

Smart home integration is robust, with support for major automation platforms including Control4, Crestron, AMX and others.

There’s no built-in smart TV platform though, just a rather basic interface.

Optoma UHZ68LV projector: Performance

Optoma’s dual-laser DLP platform, paired with a TI DLP chipset and pixel-shifting technology, produces an image that’s utterly mesmerising. Its 4K UHD pictures are detailed and vibrant,  with excellent contrast and HDR performance. While it’s technically not native 4K, the 8.3 million on-screen pixels comply with CTA standards for UHD, and subjectively, the sharpness and clarity look stunning.

Brightness is a standout. Rated at 5,000 lumens, this projector performs well in rooms with ambient light and truly dazzles in dark theatre environments. It enables vibrant HDR without needing total blackout conditions, particularly useful in media room installs where lighting is often variable.

HDR compliance is extensive, with support for Dolby Vision (Bright, Dark, Vivid), HDR10+, HDR10, and HLG. There’s also a dynamic AI Picture Mode which uses real-time scene recognition to optimise contrast and colour. Dynamic range settings are user-adjustable, though auto mode performs well in most situations.

Colour accuracy is impressive. The projector covers 100% of Rec.709 and 95% of DCI-P3 in wide colour gamut (WCG) mode, supported by Optoma’s new PureEngine Ultra image processing suite. This includes modules for PureMotion (motion interpolation), PureContrast, PureColor, PureLight, and PureDetail. It’s worth noting that each can be individually adjusted, for optimum perfromance. For example, setting PureMotion to level 1 is enough to clean up judder without making film content look overly smooth.

Integrators should note that the Optoma also includes ISF calibration profiles for Day and Night, and has a wall colour compensation mode for venues lacking a dedicated projection screen.

Invariably, there are multiple picture presets - Vivid, Cinema, Reference, Game, Bright and WCG. The Cinema and Reference modes yield the most accurate results, but I would recommend WCG for SDR content.

In testing, 4K UHD material, be it streamed, broadcast or played from disc, looked superb in Cinema mode, with clean gradations, deep contrast and punchy colour. HD upscaling is also particularly strong, with animations almost indistinguishable from native 4K, with impressive textural detail and strong shadow definition.

Black levels are good, if not inky (this is a single-chip DLP projector after all), and while contrast hits a stated 3,200,000:1 (using Dynamic Black), the deepest blacks are more charcoal than velvet. Still, it handles shadow detail with care and exhibits minimal crushing.

Should it be needed, the UHZ68LV does include an onboard stereo system, rated at 2 x 5W. It’s clean, with some stereo width and clarity. However, given that this projector will almost certainly be paired with a high end sound system, its provision is largely academic.

Gaming performance is notable, with support for 4K/120Hz and 1080p/240Hz on HDMI 2.1, plus a low-latency game mode delivering just 8.5ms input lag. That makes this projector viable for both cinematic gaming and competitive play.

Optoma UHZ68LV projector: Verdict

The Optoma UHZ68LV is a formidable projector with broad appeal across home cinema and multipurpose AV installations. Its brightness, colour performance and installation flexibility make it a standout option for installers needing a projector that can thrive in a variety of conditions, from bespoke home theatres to media rooms with ambient light, all without breaking the budget.

With a solid chassis, wide connectivity, cutting-edge HDR support, and advanced image processing, the UHZ68LV strikes an excellent balance between performance and practicality. The addition of Dolby Vision and HDR10+ support is actually meaningful, thanks to thee huge light output, while 4K/120Hz gaming support widens the projector’s appeal beyond just movies.

If you’re looking for a bright, versatile 4K projector that brings cinematic picture quality to a wide range of spaces, and has extensive control and automation compatibility, the UHZ68LV more than earns its flagship stripes.

The UHZ68LV comes highly recommended for high-end residential installs, media room upgrades, and big-screen AV projects.

The Optoma UHZ68LV retails for £3,999. Distribution is via AWE and Into AV.

The R10 Arreté supersedes the brand’s previous benchmarks, the R11 and R8 Arreté, and represents the culmination of 45 years of meticulous speaker design by founder Ole Klifoth, whose guiding principle remains unchanged: recreate the feeling of being there - whether ‘13th row, centre’ at Tivoli’s Concert Hall, or metres from the band in Copenhagen’s Jazzhus Montmartre.

Inside CI spent a day auditioning the speaker, and can report this model isn’t built simply to hit spec-sheet checkboxes, but to deliver a genuinely musical,next-level listening experience.

Audiovector R10 Arreté loudspeaker: Design

Visually, the R10 Arreté balances elegant proportions with visible craftsmanship. Its teardrop-shaped cabinet, made from vacuum-formed high-density hardwood fibreboard, is acoustically optimised to eliminate standing waves without relying on heavy damping.

Internally, the enclosure is comprehensively braced, while aluminium front and rear baffles provide an acoustically inert platform for the drivers.

The quality of finish is similarly impressive. Available in seven high-end finishes, including real-wood veneers like Canadian Birdseye Maple and Italian Walnut Burl, the R10 offers bespoke appeal and presence. Custom colour finishes are also available on request, supporting personalisation for VIP clients and luxury interior integrations.

Audiovector R10 Arreté loudspeaker: Features

The R10 Arreté benefits from a host of proprietary Audiovector technologies. A Line Array Bass System features eight 5-inch rear-mounted, long-throw drivers working together to replicate the surface area of a 15-inch woofer, but with improved room integration and cabinet elegance. This line-source configuration ensures smooth, even bass distribution with less dependency on room correction.

Front-Facing 6.5-inch upper bass/midrange drivers extend the clarity of the soundstage, while a novel double AMT tweeter configuration guarantees treble precision. One tweeter handling from 3,000 Hz to 53,000 Hz while a second hyper tweeter adds only spatial detail above 20,000 Hz. This results in exceptional imaging and high-frequency extension, a differentiator in demos of orchestral, vocal, or acoustic content.

If you could look inside, you’ll see audiophile-grade crossover components, including cryogenically treated capacitors, distortion-optimised copper coils, along with some proprietary magic to enhance harmonic integrity.

The driver chassis is isolated from spurious current noise, significantly lowering intermodulation distortion, while a rear-panel setting let installers or end-users tailor damping to system synergy. There are three modes: Medium (for typical transistor amps), Low (for tube amps), and High (for powerful solid-state amps).

There’s also a novel diaphragm movement system, dubbed Accelerated Force Concept (AFC), that increases transient precision and fine detail, paired with natural/neoprene concertina suspension and carbon-fibre/titanium driver assemblies.

Integrators should note that these features are not marketing embellishments; they offer real-world dealer benefits in terms of differentiation, demo impact, and client satisfaction.

Audiovector R10 Arreté loudspeaker: Performance

In full voice, the R10 Arreté immediately establishes its premium credentials not just by look, but by its sheer sonic authority.

When partnered with a suitably high-end front end, in our case, a full Soluion Audio stack (760 DAC, 720 pre, 711 stereo amp) and Naim 555 streamer, the R10 makes an immediate, emotional impression.

From the layered dynamics of Pearl Jam’s ‘Present Tense’ to the thunderous drama of Falling in Reverse’s ‘Popular Monster’, this speaker handles raunchy extremes with total control. It projects a vast three-dimensional image with rich texture, punchy dynamics, and pinpoint accuracy.

It also reveals micro-detail to a level I’ve rarely heard.. A Scandinavian jazz trio’s scratchy saxophone textures leapt forward with startling realism, while Minoru Muraoka’s ‘Take Five’ saw the soundstage expand well beyond the physical dimensions of the speaker cabinets. I felt like I was actually inside the performance.

What we’re getting here is not just artful delineation, but an insight into recordings.

Critically, the R10 doesn’t demand full volume to shine. Even in modest listening modes, it maintains tonal density and detail. But when pushed? It simply refuses to break up. I should know. I tried. Unflustered, it remained clean and composed.

Audiovector R10 Arreté loudspeaker: Verdict

Audiovector’s R10 Arreté is a remarkable new flagship loudspeaker. For enthusiasts, it delivers on every front: sound quality, aesthetic appeal, engineering innovation, and impact. For premium audio dealers seeking to serve demanding audiophile clients, it’s an ideal reference model. Easy to demo, easier to love, and a standout addition to any high-end product portfolio.

Striking industrial design and luxurious finishes make it ideal for showroom display or integration into custom installation projects. The R10 competes directly with established flagship models from Wilson, Magico, and Focal, and idelivers a sonic wow with both popular and reference-grade material.

The Audiovector R10 Arreté launches September 2025, priced at £127,500 per pair (147,500 euros / $USD on application). Distribution is via Renaissance Audio.

But looks can be deceiving. Born out of the brand’s Extreme Engineering Programme, the Ellipse inherits design and performance cues from flagship models like the DSP8000XE and DSP9 floorstanders, translating Meridian’s audiophile sensibilities into a compact, streaming-friendly package.

Meridian Ellipse speaker: Design

It should come as no surprise to hear that the Meridian Ellipse is a beautifully crafted unit. What is surprising is just how small it is. Its elliptoid dimensions measures 412 x 223 x 171 mm, and it weighs in at 3.9 kg.

It’s compact enough to sit on a bookshelf, coffee table, or media unit while maintaining a strong visual presence. A satin-black finish, paired with a metal grille on the front, lend it a contemporary yet understated look.

Behind the grille are two 90mm polypropylene drivers and a central 15cm bass driver, driven by 80W of total power (2 x 25W for left and right, with the remainder allocated to the woofer).

Three subtly angled feet optimise sound projection, which can be further tweaked by clever DSP.

Meridian’s attention to detail extends beyond aesthetics to its acoustic design. The biggest challenge in compact speakers is eliminating resonance, a common issue that tends to degrade audio quality.

Killing resonance is easy when you're working with a 70kg loudspeaker, but with a compact enclosure such as this, not so much.

The Ellipse solves the problem with a separate low-frequency enclosure, ensuring clean, distortion-free bass without interference from the left and right channel drivers. This innovation, trickled down from the DSP9 floorstander, allows the Ellipse to maintain a high level of definition and clarity that belies its size. The speaker also runs a new hardware platform, using stablemate software.

For those seeking a wired connection, the rear panel (which nestles on the undercarriage) includes an optical/analogue 3.5mm input (with a 3.5mm mini-Toslink adapter included), USB-C (for high-resolution 192kHz/24-bit audio from a laptop), USB-A , and Ethernet LAN, to support wireless connectivity.

However, there’s no HDMI ARC/eARC, reinforcing that the Ellipse's primary focus is music rather than home entertainment.

That said, there is the option of using the digital optical audio legacy output from your television. Lip-sync adjustment is available to help marry errant sound and vision.

Meridian Ellipse speaker: Features and Installation

The Meridian Ellipse is loaded with features designed to meet the demands of both enthusiastic listeners and custom installers. Streaming service support is wide, and includes Spotify Connect, Tidal Connect, AirPlay 2, and Google Cast.

As well as Bluetooth and Wi-Fi streaming, it can be used as a UPnP renderer. It's also Roon Ready. The system doesn't support aptX Adaptive of LDAC though.

Installation is seamless. The Ellipse automatically looks to pair upon first use, making setup via the Meridian Control App straightforward.

Said app offers various sound mode adjustments, including Bass & Space for soundstage enhancement, Image Elevation for virtual speaker repositioning, and Free-Q for placement optimisation (there’s the usual choice of Wall, Shelf, Corner settings). When it comes to home automation, the Ellipse is compatible with Crestron, Control4, RTI, and Nice systems, making it an excellent candidate for smart home integration.

Meridian has incorporated various DSP technologies into the Ellipse, each designed to refine and enhance the speaker’s output. Among the most significant are Bass & Space and Image Elevation.

Bass & Space is a very effective technique that expands the perceived size of the speaker by enhancing low-frequency response and spatial cues, creating a big, room-filling sound. It works extremely well.

Subtle but also impressive, Image Elevation technology compensates for any low-profile placement by lifting the perceived height of projected audio. It makes vocals and instruments sound as if they are at an ear-level position rather than being anchored too low in the soundstage.

This tech has its development roots in Meridian’s high-end automotive audio systems, where sound staging has to be carefully controlled within a vehicle’s interior.

Meridian Ellipse speaker: Performance

One of the most impressive achievements of the Ellipse is its ability to produce a convincing stereo image. Traditional stereo relies on speakers being physically separated by a certain distance, yet the Ellipse’s left and right drivers are only 200mm apart.

To overcome this limitation, Meridian has employed spatial audio processing and psychoacoustics to create a larger, wider stereo image than you’d expect from a single enclosure.

The result is remarkably expansive. This effect is particularly noticeable in well-mixed recordings, where instruments and vocals are clearly defined.

There’s a fair amount of user control available from the app. Boundary correction optimises performance regardless of placement while adjustable image elevation lets users control the apparent height of the sound. There’s also vanilla-flavoured bass and treble control.

Anya Taylor-Joy’s rendition of ‘Downtown’ showcases the Ellipse’s ability to deliver silky, articulate vocals, with its brass backing arrangement still well-defined. The speaker is agile too. Foo Fighters’ ‘Monkey Wrench’ illustrates the speaker’s ability to handle dynamic shifts and high-energy riffs with precision and control.

While bass isn’t exactly prodigious, it can still sound meaty. Falling in Reverse’s ‘All My Life,’ with its country hooks and massive beats, arrives with tangible weight.

Meridian Ellipse speaker: Verdict

Overall, we rate the Meridian Ellipse as an astonishingly well-executed wireless speaker, able to deliver classy audio for compact, streaming-friendly package. Sophisticated DSP, punchy amplification, and meticulous engineering combine to make it one of the most versatile premium wireless speakers available today.

For existing Meridian customers, the Ellipse is a welcome addition the Meridian ecosystem. For newcomers, it’s a luxurious, no-compromise introduction to one of the most respected names in audiophile-grade engineering.

It’s obviously not cheap, but it is patently brilliant.

The Meridian Ellipse is available now, priced at £1,900. For more, visit Meridian Audio here.

Designed for professional applications, this mid-sized, wall-mountable, all-weather passive speaker delivers a high-fidelity performance in residential, commercial, and outdoor settings alike. Whether mounted on a sun-drenched terrace, tucked under a bar canopy, or positioned in a stylish indoor space, the Climate CL2 M is ready for every environment.

The Climate CL2 M is part of Monitor Audio’s architectural speaker range, a series which blends professional functionality with the brand’s audiophile heritage. It’s intended for custom installers seeking a single solution for outdoor audio, commercial AV, and residential whole-home sound systems. This versatility makes it a valuable addition to any integrator’s portfolio. But how does it actually perform? We put a pair on the Inside CI test bench to find out...

Monitor Audio Climate CL2 M speaker: Design

The Climate CL2 M is compact but reassuringly substantial. Measuring 332 x 190 x 240mm and weighing in at 4.1kg, this speaker feels built to last. Its enclosure is formed from moulded ABS, a material chosen for both durability and acoustic stability.

A fully sealed design, the enclosure is rated to IP66, ensuring it's dust-tight and protected against errant water, making it a true all-weather solution. This resilience makes it ideal for exposed outdoor installations, from patios and pool areas to beachfront bars.

The Climate CL2 M is available in black or white, with a finish that should blend seamlessly into both modern and traditional décor schemes. Our review pair arrived in white, and the presentation was impressively uniform. Design-conscious clients are going to appreciate its look and feel.

Monitor Audio Climate CL2 M speaker: Features and installation

Monitor Audio has clearly prioritised installer convenience with the Climate CL2 M. The speaker ships with the brand’s innovative Quik-Link bracket system, a die-cast aluminium L-bracket with integrated cable management. This allows the speaker to be quickly mounted, with loudspeaker cables concealed for a clean finish.

I like the fact that the bracket also provides adjustable positioning, enabling installers to tilt and rotate the speaker to precisely target any given listening area. Both vertical and horizontal orientations are supported, so there’s plenty of flexibility when it comes to placement.

Connection points are neatly concealed behind a rubberised flap, which protects the speaker terminals from the elements. This thoughtful touch enhances both durability and aesthetics, and ensures the speaker looks as clean from the side as it does from the front.

Connectivity is kept simple, with standard snap-tight terminals compatible with bell wire. Don’t spec high-end gauge cables, as they won’t fit. It’s a sensible design choice given the product’s focus on ease of installation and outdoor resilience.

Monitor Audio Climate CL2 M speaker: Performance

Despite its Pro AV aspirations, the Climate CL2 M incorporates advanced Monitor Audio driver technology familiar from the brand’s celebrated Hi-Fi loudspeakers.

There's no question that these speakers have got what it takes to be noticed.

The two-way design pairs a 65mm C-CAM RST II bass-mid driver with a 25mm C-CAM black dome tweeter; materials chosen for their lightweight rigidity and smooth, extended frequency response. Bass performance is further bolstered by an Auxiliary Bass Radiator (ABR), which enhances low-end output without the need for a possibly compromising bass port.

When it comes to performance, the Climate CL2 M make an immediate, favourable impression. Rated at 85.5dB sensitivity and a nominal impedance of 6 ohms, the speaker should partner comfortably with cool-running distribution amplifiers. Monitor Audio quotes a maximum peak SPL of 110 DB.

Frequency response is rated at 42Hz to 30kHz (when wall-mounted), and our listening tests suggested that’s realistic, particularly at the lower end. I measured the bass response down to 50Hz. In practice, it feels even heftier than this specification suggests, thanks to that ABR.

In outdoor settings, where mid-bass needs to travel, the Climate CL2 M excels. Kick drums punch with authority, while basslines are delivered with weight and presence. This boldness is demonstrated brilliantly with The Automatic’s ‘Monster’, which delivered infectious energy and swaggering rhythm, making the speaker perfect for outdoor parties and events.

Similarly, vocal delivery is fluid and expressive, with pop tracks like Sabrina Carpenter’s ‘Feather’ retaining their danceable bounce without sacrificing detail. High frequencies are smooth yet articulate, ensuring intelligibility even at lower volumes, a key requirement for commercial background music installations.

When mounted indoors, the Climate CL2 M reveals a slightly more refined character. Acoustic recordings exhibit natural tonality, while spoken word content remains crisp and clear; the speaker is equally suited to background music and speech reinforcement in commercial environments.

Monitor Audio Climate CL2 M speaker: Verdict

We rate the Monitor Audio Climate CL2 M a standout, multi-purpose speaker for AV professionals and custom installers. A combination of rugged weatherproofing, installer-friendly design, and genuinely engaging sound performance tick all our boxes.

Whether it’s poolside playlists, commercial background audio, or discreet residential installs, the Climate CL2 M has the build quality, acoustic pedigree, and aesthetic flexibility to handle it all.

For installers seeking one loudspeaker that can confidently cover almost any scenario, the Climate CL2 M comes highly recommended.

The Monitor Audio Climate CL2 M All Weather Speakers are available now, priced at £750. For more, visit Monitor Audio here.

Subwoofers have long been an integral part of the home theatre equation, delivering vital low frequency effects from movie soundtracks and streaming TV shows, but they often claim an excessive amount of floorspace, and rarely attract admiring glances from interior designers.

Velodyne hopes to change the narrative, by shrinking the typical subwoofer form factor with its Micro and MiniVee models.

Velodyne certainly knows how to plumb the depths. The US brand has been perfecting the art of bass management since 1983, so our expectations are high.

Velodyne Acoustics MiniVee X subwoofer: Design

The MiniVee X cube measures a tidy 43 x 41 x 41 cm, and weighs 12.5kg. As a result, it takes up surprisingly little real estate. A closed cabinet design, there’s no port to vent, just two balanced 8-inch drivers. One of these is active, the other a passive radiator. The cone design is new to the range.

Build quality and finish is excellent. The housing, crafted from MDF, makes liberal use of internal bracing to nullify unwanted resonances.

The finish is a glossy, piano black, although distributor Redline tells us that optional custom colours are available to order. You rarely see a more handsome subwoofer.

The subwoofer ships with a dedicated setup microphone and stand, for use with the downloadable Velodyne Acoustics AutoEQ Sub app.

Velodyne Acoustics MiniVee X subwoofer: Features & Installation

The MiniVee X doesn’t just pound like a heavyweight pugilist, it’s packing some serious science too.

Room correction is on offer, to fine tune performance and maximise SPL in the listening room. This is operated from a dedicated app (available for iOS and Android) users. The Velodyne Acoustics Auto EQ App can be used for both multi-channel and stereo installations.

To customise performance, individual settings can be assigned to presets.

The back panel is packed. Rear connections include a 3.5mm mic input jack, for use with the supplied mic; a 3.5mm mini jack 12v trigger input, and a corresponding trigger output; as well as XLR and Line input and output jacks, the latter to go into any partnering sub’s line input.

There’s also the alternate option of speaker level inputs, should you need to connect to an older amplifier or AV receiver.

When it comes to integrated system control, there’s a 3.5 mm minijack input, with a slightly delayed 12 V trigger output. There is also a 5 V / 1 A USB power output, as well as a high-pass filter on the RCA or XLR output, which can be managed via the app.

During setup, you’ll need to pair the subwoofer with your smartphone over Bluetooth, allowing it to be controlled via the app.

In addition to general adjustments, such as volume and phase, you can manage crossover. This selects the low pass filter and can be adjustable between 30Hz - 200Hz. There’s also a subsonic filter, Manual EQ and High Pass filter switching.

Auto EQ is available to compensate for room anomalies. A few incrementally seismic rumbles and the sub makes all the adjustments required for a room friendly performance.

Velodyne Acoustics MiniVee X subwoofer: Performance

Once installed in an optimum position, there’s little more to do than wallow in its wallop.

The prime objective for any subwoofer is to add sonic depth, and deliver convincing deep bass, regardless of size - and the Minivee X manages that task with conviction. Its dual 8-inch drivers work seamlessly in unison to underscore soundtracks with thick, chunky bass.

The Dolby Atmos test track Amaze remains a telling challenge for any subwoofer, and this Velodyne newcomer doesn’t flunk. The demo clip, set in a rainforest, has a soundmix of circling, bird and delicious insect ambiance, before there’s a peal of thunder and a deep rumble.

The MiniVee X ensures the thunderous reverberation does not go unnoticed.

There are, of course, subwoofers capable of greater profundity, but any Velodyne 12-inch (or larger) model is going to make a far greater demand on floor space, and budget.

The opening First Order Dreadnought space battle, in Star Wars: Episode VIII – The Last Jedi, really puts the focus on its abilities. When Poe Dameron makes his strathing run across the surface of the huge cruiser, the explosions as he takes out the surface guns have apposite weight - the booms are fast and brutal.

The MiniVee X doesn’t disappoint when it comes to slam either. Beneath the compact exterior beats 800W of cool running class D amplification, and to help prevent distortion, there's also anti-clipping and overheating circuitry.

When the final Rebel Resistance StarFortress bomber drops its explosive payload, and the Empire’s Fulminatrix detonates with a series of blasts, the MiniVee X enthusiastically throws its weight behind the drama. It’s all very satisfying.

This compact sub shouldn’t just appeal to film fans. Its compact form factor will also makes it highly appealing when it comes to gaming. As part of a multichannel gaming sound rig, it’ll fit right in.

Velodyne Acoustics MiniVee X subwoofer: Verdict

A welcome addition to Velodyne’s impressive MiniVee subwoofer range, the MiniVee X offers installers a raft of connectivity options, along with a tight, impactful bass performance.

We appreciated the sub’s superb build quality and finish, and we revelled in its ability to rumble. If you need LFE bass slam and space is at a premium, it comes highly recommended.

The Velodyne Acoustics MiniVee X subwoofer is available now through Redline. It retails for £1,395.

The idea is to bring celebrated Leica image precision to a more compact, portable form factor without sacrificing image quality. So does it live up to its promise? Inside CI has been putting the model through its paces..

Leica’s legacy meets Home Cinema

Leica has long been synonymous with optical excellence, and its leap into the home cinema market is nothing if not ambitious. The Cine Play 1 marks Leica’s second entry into this space, once again engineered in partnership with Hisense, and it's aimed at users who desire a premium home cinema experience without the need for permanent installations.

Unlike its ultra-short throw sibling, the Cine Play 1 is a short throw mini projector, making it incredibly flexible and suitable for a wide variety of applications.

This projector is designed for users who want to enjoy large-screen entertainment without dedicating a fixed media space to it. Whether it’s for movie nights in the living room or a portable big-screen experience iunder the stars, the Cine Play 1 promises maximum visuals with minimal fuss.

Leica Cine Play 1 projector: Features & Installation

We certainly like the look of the Leica Cine Play 1. It boasts a sleek, modern design with a cube-shaped body finished in an elegant battleship grey. It sits on a circular pedestal with an angled hinge, allowing easy beam adjustment. Thanks to extremely accomplished auto keystone correction, setting up the projector is a breeze; simply adjust the angle, and it automatically corrects the geometry for a perfectly aligned image.

The use of premium materials like aluminium and glass, speaks of durability and a premium feel. Even the remote control feels solid and luxurious, adding to the overall high-end experience.

The Cine Play 1 offers a range of connectivity. When it comes to wireless, there’s Apple AirPlay, Bluetooth, and Wi-Fi support. Physical Ports comprise a pair of HDMIs (one with eARC support), two USB 3.0 ports, an optical audio output, a 3.5mm headphone jack, and an Ethernet LAN port.

The Cine Play 1 runs the VIDAA smart TV system, which offers a variety of built-in apps, including Netflix, Disney+, Prime Video, YouTube, and Paramount+. Although at the time of testing, UK catch-up services were missing, it covers most major streaming platforms.

While the projector needs mains power, its compact size and lightweight design make it relatively easy to move from room to room. An optional Leica Floor Stand (priced at £335/€395) is available for those looking to give the projector a more permanent home. A hidden power connection keeps cabling to a minimum.

The Leica Cine Play 1 projector: Picture & Sound performance

The Leica Cine Play 1 is a DLP projector powered by a triple RGB laser light engine. Powering up, the image is immediately bright, with vibrant colour reproduction. Rated up to 3000 ANSI lumens, this projector excels in various lighting conditions, making it suitable for both darkened home theatre setups and brighter living rooms.

The Cine Play 1 delivers 4K resolution picture, via pixel shifting, and can project images up to 300 inches.

Such is the detail cast that it’s easy to imagine this is a native 4K model. An 80-inch screen projected from less than two metres resulted in a blistering sharp picture, crisp from the centre of the frame to the very edges, a benefit of Leica Summicron optics.

The picture isn’t just razor sharp. There’s subtle nuance there too. Much of this can be attributed to Leica’s proprietary LIO technology which optimises colour gradation and contrast. The projector supports Dolby Vision encoded content, enhancing HDR content with deeper blacks, shadow detail and bright specular highlights.

Black level performance is extremely good, comparable with other laser projectors - it’s certainly dark enough to convince when it comes to movies. Features films, TV show and animation all looked excellent.

With multiple picture presets available, including Filmmaker Mode, Cinema Day, Cinema Night, and Dynamic, users can tailor the viewing experience to match their preferences, but for everyday use we’d advocate one of the Cinema options.

For sports fans, Ultra Smooth Motion interpolation is available in Smooth, Standard, Clear, and Film flavours. Visual artefacts are low.

Despite its compact form, the Cine Play 1 doesn’t skimp on audio. It features 2 x 10-Watt speakers, with DTS Virtual processing. Sound modes range from Theatre and Music to Late Night and Sports. However, if you’re looking for a true cinematic experience, the eARC connection allows you to connect the projector to a more powerful sound system.

Operating noise can be considered minimal and unobtrusive.

The Leica Cine Play 1 projector: Verdict

We rate the Leica Cine Play 1 a compelling addition to the home cinema projection market, blending Leica’s optical heritage with modern smart features. It’s an ideal solution for those who want the flexibility of a portable projector without compromising on picture quality.

The combination of 4K imagery, laser technology, and Leica’s legendary optics make for marvellous picture quality.

At £2,950 (€3,500), the Cine Play 1 is positioned at the higher end of the short throw market. It’s available now from select Leica Stores and specialist home cinema dealers. The optional Leica Floor Stand, priced at £335 (€395), is a recommended accessory for a more permanent media room installation.

The Epikore 3 is a 3-way stand-mount speaker, ideal for smaller listening spaces. It incorporates a 7-inch bass/midrange driver with DALI's EVO-K Hybrid Tweeter module.

Originally developed for the DALI Kore flagship, the EVO-K Hybrid Tweeter module combines a 35mm proprietary soft dome tweeter with a high-performance, ultra-thin planar magnetostatic element. Together, they deliver an effortlessly smooth, high-frequency response, even at high volume levels.

As we were to find, the tweeter module's powerful neodymium magnet motor system ensures that high frequencies are reproduced with ravishing detail, for a spacious and natural soundstage.

The Epikore 3 is being joined by the Epikore 7, a 3½-way floorstander designed for medium to large rooms. It features two 7-inch bass/midrange drivers alongside the EVO-K Hybrid Tweeter module.

Topping the new additions is the Epikore 9. This 4-way floorstander is tailored for larger spaces, and features two 8-inch woofers, a 6½-inch midrange driver with Clarity Cone Technology, and the EVO-K Hybrid Tweeter module.

The trio join the Epikore 11 flagship, a 4½-way giant of a floorstander featuring four 8-inch woofers, a 6½-inch midrange driver, and the signature EVO-K Hybrid Tweeter module. The DALI Epikore 11 towers were recently showcased at CEDIA Expo.

Another core innovation behind the Epikore series is DALI’s SMC Gen-2 technology. Designed to overcome one of the key challenges in loudspeaker design, hysteresis. In conventional speaker magnets, hysteresis can lead to unintended resistance, which in turn causes audio distortion. DALI's second-generation Soft Magnetic Composite (SMC Gen-2) material significantly reduces hysteresis, thereby minimising flux modulation and eddy currents within the magnet system.

The bottom line is that the SMC Gen-2 technology allows the Epikore speakers to deliver an exceptionally low-distortion listening experience, with excellent dynamics and a highly realistic sound signature.

New Epikore range previewed

To get a flavour of just what these new models can offer, we listened to recordings both sophisticated and raw. Dire Straits’ ‘Six Blade Knife’ offered stunning analytical clarity while Nina Simmon’s, ‘My baby Just cares for Me’ (not a traditional Hi-Fi track by any means) sparkled with joyous musicality.

DALI’s Clarity Cone paper and wood fibre cone structure for the midrange and bass drivers, can take some of the credit for this duality, as they’re capable of pristine musical detail and visceral dynamics.

All drivers are custom-made in-house by DALI, featuring titanium voice coil formers and high-quality SMC-KORE crossover inductors. These elements are said to contribute to the speakers' refined and coherent sound.

The Epikore series also look the part. The cabinets feature a curved, real-wood veneer construction with continuous-flare bass reflex ports for optimised airflow, die-cast baffles for stability, and adjustable aluminium outriggers. The design is ravishing. 

All models are available in a variety of premium finishes. Choose from High Gloss Black, High Gloss Walnut, and High Gloss Maroon.

Individual model highlights and pricing

Epikore 3: The stand-mount model that brings DALI KORE technology to a compact format, features 3-way architecture and 7-inch bass/midrange driver. It's priced at a price of £9,999 (€9,999 / $15,000) per pair. An optional Epikore stand is available for £1,999 (€1,999 / $3,000), providing integrators with a stylish and functional solution for mounting.

Epikore 7: This 3½-way floorstander is equipped with two 7-inch bass/midrange drivers, and is suitable for use in medium to large rooms. It's priced at £19,999 (€19,999 / $25,000) per pair.

Epikore 9: A 4-way with two 8-inch woofers and a 6½-inch midrange driver, this imposing floorstander is intended for larger spaces and is delivering remarkable sound quality across a wide frequency range. The Epikore 9 is priced at £29,999 (€29,999 / $40,000) per pair.

Epikore 11: The pinnacle of the series, this fabulous 4½-way floorstander features four 8-inch woofers and offers an audiophile experience in very large listening environments. It's priced at £39,998 (€39,998 / $60,000) per pair. 

The new DALI Epikore 3 stand-mount, and Epikore7 and Epikore 9 are available from October 1.

The WiSA standard (Wireless Speaker and Audio), is a technology designed to simplify the setup of high-quality, multi-channel audio systems. It can support up to eight channels of uncompressed 24-bit/96kHz audio, and offer low latency of around 5.2 milliseconds, which helps maintain audio-video sync.

It’s also interoperable. WiSA-certified products from different brands can work seamlessly together. This includes products from big hitters, like LG, Bang & Olufsen, and Harman.

Here, Lithe Audio have used it as a bedrock for an entire home cinema system.

The UK-based electronics specialist has effectively thrown the home cinema rulebook out of the window, creating an AVR-free package that can be installed and expanded with ease.

For AV professionals, this means no need to pull cables or compromise on hardware.

‘Wireless technology is only getting better,” Amit Ravat, Director, Lithe Audio, told us. “We see it as the future. We’re a problem solver for many of the projects out there, or a lower cost option to a cinema setup.”

But does it sound any good? Inside CI travelled to Lithe Audio’s Salfords base, to put the system through its paces.

Lithe Audio WiSA-based Wireless Cinema Hub: Features and installation

Lithe Audio has carved a name for itself with novel Bluetooth and WiSA-enabled architectural speakers, so a home cinema package seems a logical development.

The 5.1.2 system comprises the Cinema Hub, six WiSA iO1 on-wall speakers, two WiSA-enabled PRO Ceiling speakers and the Lithe Audio Cinema Subwoofer. Speakers are paired to the Hub using either a Pairing button on the enclosure, or via software on the accompanying setup app.

The Hub is compatible with Dolby Atmos, Dolby True HD and Dolby Digital+. While the system favours Dolby out of the box, it can also support DTS:X. Those requiring the DTS codec need to pay the DTS licence, which is an additional, optional cost. The team at Lithe Audio will upload it on request.

The WiSA iO1 is an all-weather active speaker that can be used both inside and out. It’s waterproof, with an IP-66 rating. 

While the iO1 can be used outdoors, it’s stylish enough for domestic duties, with sculptured edges that lend it a contemporary, high-tech appearance. Power output is 2x50W.

The WiSA-enabled subwoofer has a low-profile design that enables it to slide out of view, perhaps beneath a sofa. Dual ported, it packs a potent 8-inch driver. Onboard amplification is 150W. Multiple subs can be used together if required.

Setup is uncomplicated. Using the Lithe Audio config app, installers can utilise Automatic Room Correction, to suit the size, shape, and acoustic properties of the listening space.

It's possible to fix volume for a specific input; adjust lip sync adjustment, and tweak bass management for specific speakers. Installers can also set speaker distances manually or even EQ right across the spectrum.

Speakers can be assigned to any given channel. Content playback comes via individual player apps.

The supplied remote control can also be used with an on-screen display, which is clean and intuitive. This OSD offers access to Source setup, Signal Mixing, Speaker and Network Setup, EQ and System Settings.

One appealing aspect of the Lithe Audio proposition is its scalability. Multiple speakers can be assigned individual channel duties. For this audition two speakers were assigned to the centre, with double stacked iO1 speakers positioned left and right.

This also opens up the door to easy whole home audio. Simply put the enclosure where required and assign it a channel.

The multi-purpose iO1 speaker comes with six mounting options. These include corner and eaves mounting, as well as a pendant mount, the latter ideal when dealing with a vaulted ceiling, or simply placing audio above the hot tub.

There are also ground spikes, which enable speakers to surround a pool area. Versatility is the name of the game.

Reassuringly compact, the Cinema Hub has three HDMI inputs, plus one HDMI eARC connection, an Aux line input, and two optical digital audio inputs. There’s also Ethernet, to support Wi-Fi, and a USB service port. A single aerial is provided for wireless connectivity.

All digital, all wireless, there’s no space allocated to traditional speaker binding posts. The connected feature set is comprehensive, with Apple AirPlay 2, Chromecast, Bluetooth, and Spotify onboard. Overall build quality is high.

Lithe Audio WiSA-based Wireless Cinema Hub: Performance

In full flight, the system sounds dynamic and involving. Configured for 5.1.2 Dolby Atmos, there’s plenty of sonic excitement. The space ambush, which occurs early on in the Jennifer Lopez sci-fi actioner Atlas (Netflix) sees every channel utilised, with explosions and rockets flying in from every corner.

The Home Cinema subwoofer delivers LFE with considerable effect. It may be low profile, but there’s no questioning its ability to slam large. Dialogue is crisp and clear, even when the soundstage is fully occupied.

The beauty of the Lithe Audio Wireless Home Cinema Hub concept is that it brings immersive audio to almost any space. This isn’t just for media rooms. Integrators can offer it as a 3D audio solution in a kitchen diner, or apartments where traditional multichannel systems are a challenge to install.

The brand is positioning this package as a step up from a high-end soundbar, fulfilling a media room need before graduating to a dedicated theatre room. That seems exactly right. It’s a lot of fun with movies and music, and would sound great with sports too.

The key to the soundfield’s integrity is the low latency of the WiSA standard. Objects move around the soundstage seamlessly. It’s a very polished performance.

Lithe Audio WiSA-based Wireless Cinema Hub: Verdict

Lithe Audio is clearly ahead of the curve with this WiSA cinema solution. It’s simplicity should prove irresistible when there’s a requirement to deliver surround into non-conventional spaces. Consequently, it comes highly recommended. 

The Lithe Audio Home Cinema system is available now, in various configurations, including 3.1, 5.1, 7.1, and 5.1.2 Atmos. Prices start from £1,284. More details can be found here.

Launching in June, Inside CI was invited to Audiovector’s Copehagen HQ for an in-depth listening session with the new model.

The Trapeze Reimagined pays homage to Audiovector’s first commercial speaker, the Trapeze, which company founder Ole Klifoth introduced in 1979. His aim back then was to create a speaker that captured the atmosphere of a live venue.

“I wanted to recreate the kind of sound I experienced in Tivoli’s Concert Hall, 13th row, middle, from where I could take in both the overview and the details,” he recalls.

The new Trapeze Reimagined retains this foundational principle while incorporating modern innovations, embodying 45 years of passion, evolution, and dedication to the art of music reproduction.

Visually, the Trapeze Reimagined is unlike any rival speaker design. The front of the speaker is angled toward the listener, while the rear remains parallel to the wall. The hand-veneered cabinet, available in Black Ash, Nordic Oak, Italian Walnut, and White Silk, is meticulously crafted to minimise distortion and colouration. Custom finishes are also available for those seeking a unique aesthetic.

Inside, Audiovector’s Diffraction Absorption Control technology employs a thick layer of natural felt around the mid and treble drivers, absorbing reflected energy and allowing the drivers to function as point sources. This setup, combined with the iconic angled cabinet, eliminates standing waves and optimises driver performance, we’re told.

The Trapeze Reimagined is equipped with a 5-inch midrange driver using a large Neodymium magnet for maximum power and control. A patented distortion-shorting cap in the magnet ensures extremely low distortion, while a light membrane with a corrugated ‘concertina’ surround provides the superfast performance necessary to blend seamlessly with the speaker’s AMT (Air Motion Transformer) treble driver.

A proprietary linear phase crossover, utilising precision components specifically manufactured for the purpose, maintains Audiovector’s commitment to audio excellence. The original Trapeze laid the groundwork for all Audiovector speakers to come, taking a pioneering approach to linear dynamics and linear phase through a true 6 dB octave crossover. That pays off here too.

Cryogenically treated tin flash/copper capacitors, air-cooled metal housed resistors for bass and midrange, and precision-wound coils within a +/- 1% tolerance level are just a few of the high-quality elements ensuring superior performance.

Made in-house, the 12-inch bass driver, complemented by a 4-inch voice coil. This works in conjunction with an 8-inch isobaric driver, ported to the rear.

This bass combo hits hard and fast, seamlessly integrating with the midrange driver. This results in a richly detailed sound with dynamic vocals and a beautifully balanced bass without any ugly boom.

Installers should note that it offers double mechanical decoupling, incorporating a 2-layer aluminum plinth with built-in decoupling via carbon steel ball bearings and Audiovector spikes. This design minimizes floor interaction, and maximises performance.

During our playback sessions, the Trapeze Reimagined impressed with superb spatial imaging, and a very real sense of presence. That AMT tweeter’s wide dispersion characteristic was immediately evident, delivering a crisp, revealing treble.

The midrange was smooth and musical. The Trapeze Ri, as it’s also known, has the benefit of being able to be driven by a wide variety of amplification. For our sessions, the speakers were partnered with a Gryphon Diablo 333 integrated amplifier as well as a MOON North series 791/761 streaming pre and power stack. It sounded elegant and comfortable with both.

Installers should note that the Trapeze Ri has a uniquely flexible damping feature. On the rear of the speaker is a three position dial, to optimise performance with the amplifier in use. Position One is for transistor amps with a medium damping factor. Position Two is for high power amplification with a high damping factor. Position three is for tube amps with a low damping factor.

It’s well worth experimenting with these to optimise the overall sound of the system, taking into account the electronics employed.

Verdict

We rate the Audiovector Trapeze Reimagined as a triumph of Hi-Fi design and engineering, one that offers a blend of classic elegance and modern technology. They deliver a clean, warm sound, that’s eminently easy to listen to.

Audiovector has proven that high-fidelity audio can be both sophisticated and accessible. Consider theTrapeze Reimagined a worthy upgrade to any audiophile system.

The Audiovector Trapeze Reimagine are available from June, priced at £15,500 a pair. Distribution is through Renaissance Audio.

At the brand’s recent World of Samsung trade event, Inside CI was given exclusive access to this new premium 8k model, and what we saw wowed us.

Positioned just below the range-topping QN900D, the QN800D is the successor to the brand’s QN800C - but there’s more than just a suffix change on offer.

Our sample was the 75-inch Mini LED model (65- and 85-inch models also available), which can be considered the new sweet spot for an 8k resolution panel like this. We enjoyed a hands-on with the screen in a well-appointed hotel suite, which seemed like the natural habitat for such a screen.

Designwise, the QN800D offers predictably clean lines, with a minimal bezel and central pedestal stand. It’s this that props up the separate One Connect tuner and interface box. It’s here that you’ll find four HDMI inputs, all of which offer high refresh rate support for games consoles and PCs.

In addition to eARC and ALLM, there’s VRR with AMD FreeSync Premium Pro and Nvidia G-Sync support.

At the heart of the QN800D is the brand’s second gen NQ8 AI processor. Built in Voice compatibility is limited to Amazon Alexa, with Samsung’s own Bixby chipping in when required.

As you might expect, the set runs Samsung’s Tizen operating system. This enjoys a few tweaks for 2024, mainly to improve navigation. There’s also a new operational dashboard for smart devices, like connected lights and security cameras, as well as health orientated applications.

For the UK, expect a standard Freeview tuner as well as a satellite option for those with a dish feed.

When it comes to picture performance, the QN800D looks goregous, and upscaling of HD and 4k sources is impressive. It delivers extremely colour rich Quantum Dot bolstered images, which don’t appear overly garish, as well as convincing near shadow detail. Contrast from this Mini LED display is very good indeed, with negligible blooming evident on the content I had to hand.

HDR compliance covers HDR10, HDR10+, HLG and HGiG - but Dolby Vision is still a no show. HDR highlights appear bright and peaky, with the screen having no difficulty at all delivering HDR streams from the likes of Netflix and Disney+. Off axis visual integrity is good.

The high contrast nighttime fight sequences in John Wick: Chapter 4 (UHD Blu-ray) displays a real dynamic snap. Shattering glass cabinets sparkled with fine detail and bright highlights. Textures and skin tones look utterly convincing, and motion is well handled.

Inevitably, its images lose subjective focus and punch when viewed in Filmmaker mode, but ultimately that’s going to be an issue of taste.

The set really lets rip in Dynamic mode, and colours pop; I can see this being the way to go with animations and fantasy fare - but there are caveats.

'The high contrast nighttime fight sequences in John Wick: Chapter 4 (UHD Blu-ray) displays a real dynamic snap. Shattering glass cabinets sparkled with fine detail and bright highlights...'

The opening montage of Top Gun: Maverick (UHD Blu-ray), in which fighter jets launch from an aircraft carrier, bathed in golden light, is quite telling. In Dynamic mode, the setting sun in this sequence is burnt out, but in Standard it becomes more clearly defined. The sun is also visible in Movie mode, although I noted some detail clipping.

I also noted some curious artefacts. In John Wick: Chapter 4, 56 minutes in, there were clear solarisation effects visible in most all picture modes. The solution to mitigate this appeared to be to turn off the Picture Clarity setting.

I also noted that when the set is put into its Intelligent mode, there’s a distinct upturn in peak brightness.

It’s working pointing out that this was an early sample of the QN800D, and I was working on it in a very limited time frame. So a full evaluation is yet to be made.

Audio provision is fine, with Dolby Atmos and Q-Symphony both available. The speaker configuration on this model is 4.2.2, with both forward facing and up-high drivers, arranged in a standard OTS (Object Tracking Sound) arrangement. Total power output is 70w.

It’s fair to say that there’s no immediate need to add external hardware straight out of the box, as the TV sounds pretty darn good from the get-go. The nightclub fight sequence in John Wick: Chapter 4, with its frenetic sound steerage and deep repetitive bass lines, is well handled, although clearly there’s a limit to just how much boom a set this slim can produce.

During the audition, I felt the set should have gone louder, but the complaints from those sharing the audition space with me seemed to disagree. I suspect that the set’s delivery was so clean and distortion free that my natural inclination was to keep pushing the envelope.

Overall, we think that the Samsung QN800D looks like a compelling argument for upgrading to 8k. It delivers excellent results with 4k streams and UHD Blu-ray, and has an impressive out of the box audio performance. The 75-inch QN800D is priced at €5,699.