<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Custom Installation Articles</title><link>http://www.insideci.co.uk/articles.aspx</link><pubDate>Fri, 02 Oct 2026 00:00:00 GMT</pubDate><generator>umbraco</generator><description>Articles from the custom installation industry.Article116910</description><language>en</language><atom:link href="http://www.insideci.co.uk/our-rss-feeds/articles.aspx" rel="self" type="application/rss+xml" /><item><title>UK smart home market worth £2.2bn says CEDIA</title><link>http://www.insideci.co.uk/articles/uk-smart-home-market-worth-22bn-says-cedia.aspx</link><pubDate>Fri, 02 Oct 2026 00:00:00 GMT</pubDate><guid>http://www.insideci.co.uk/articles/uk-smart-home-market-worth-22bn-says-cedia.aspx</guid><description>&lt;p&gt;Integrators report strong growth prospects according to latest research&lt;/p&gt;</description><content:encoded>&lt;img src="http://www.insideci.co.uk/imagegen.ashx?width=300&amp;image=/media/18842869/cedia-market-report.jpeg" /&gt;<![CDATA[ <p>New research reveals optimism across the UK custom installation market, with 67 per cent of firms expecting revenues to increase, while skilled labour remains the industry's biggest challenge.<br /><br />CEDIA has estimated the UK professional smart home market to be worth £2.2 billion, with the association's latest research revealing a largely optimistic outlook among integrators despite continuing concerns over skilled labour, rising costs and the changing nature of the market.<br /><br />The figure was unveiled by CEDIA Director of Research Ryan <span>Bardach</span> during a presentation of the organisation's new 2026 UK Professional Smart Home Market Analysis.<br /><br />According to <span>Bardach</span>, the decision to create a dedicated research department came from a recognition that reliable market data was becoming increasingly important to the industry.<br /><br />He explained that CEDIA had made a strategic decision to become a leading source of market intelligence for the smart home industry, with research previously handled by different teams now being centralised under one department.<br /><br />The UK study is one of the first major projects to emerge from that investment.<br /><br /><strong>A £2.2bn market, but a new starting point</strong><br /><br />The £2.2bn figure represents a recalibration of previous estimates rather than a contraction in the market.<br /><br /><span>Bardach</span> explained that CEDIA had used a broader range of data sources for the latest study, including survey responses, CEDIA's membership database and information supplied by manufacturers and distributors.<br /><br />“We came to the conclusion that the previous estimates were likely inflated,” he told the audience.<br /><br />“The market didn't collapse on itself; it didn't lose all the money. We just recalibrated how we determine the size, and we feel like this is far more accurate.”<br /><br />The new methodology means that CEDIA is treating the 2026 study as a new baseline.</p>
<p>“This is kind of our first line in the sand,” he said. “We're going to start tracking trends long term, starting from here.”<br /><br />CEDIA plans to repeat the market-sizing study every two years, allowing the new methodology to provide a consistent basis for tracking changes in the market.<br /><br /><strong>Integrators expecting growth</strong><br /><br />Despite the economic pressures facing the industry, the research paints an encouraging picture of business confidence.<br /><br />Sixty-seven per cent of UK firms expect their revenue to increase over the coming year, while just 6 per cent expect revenue to decline.<br /><span>Bardach</span> said the expected growth is primarily being driven by increasing customer demand, with some integrators reporting that the additional demand is already happening rather than simply being anticipated.<br /><br />“There's a lot of optimism,” he said.<br /><br />The research also found that mid-sized firms account for the largest share of UK market revenue; a contrast with the US, where larger businesses account for a disproportionately large share of revenue.<br /><br />Lighting identified as the biggest opportunity<br /><br />When asked where they see the biggest opportunities over the next year, lighting came out on top, followed by home automation, networking and AI integration.<br /><br />The result was broadly consistent with CEDIA's US research, where lighting was also identified as the leading opportunity, although AI integration ranked particularly strongly in the US market.<br /><br />The research also highlights the continuing importance of networking to the integrator business.<br /><br />Media rooms, home networking and integrated control systems were identified among the most frequently installed residential technology solutions.<br /><br />For whole-house integration projects, home networking was the system most likely to be included, with a significant gap between networking and the next category, audio.<br /><br />Skilled labour remains the biggest challenge<br /><br />While the revenue outlook is positive, finding suitably skilled people remains the industry's biggest concern.<br /><br />Almost a quarter of firms identified skilled labour availability as their biggest current challenge, closely followed by increasing costs.<br /><br /><strong>AI is already changing the industry</strong><br /><br />Perhaps one of the most significant findings from the new study is the speed at which AI is entering the professional installation business.<br />A whopping 83 per cent of respondents said they had increased their use of AI within their own businesses, while 51 per cent reported an increase in customer requests for AI-related products.<br /><br />Despite the growing interest in AI and specialist software, one of the more surprising findings was that Microsoft Excel remains the most widely used tool for quotes and sales management.<br /><br />WeQuote followed with a 30 per cent response, ahead of Visio and various in-house solutions.<br /><br />Ubiquiti, Lutron and Sonos lead brand preferences<br /><br />The research also provides a detailed look at brand preferences across the UK CI market.<br /><br />Ubiquiti was identified as the leading networking brand, followed by Ruckus.<br /><br />For lighting fixtures, Orluna was identified as the leading brand, followed by Arc LED and Collingwood, while Sonos led the in-room speaker category, followed by Monitor Audio and Bowers &amp; Wilkins.<br /><br />The wider results included Control4 and Crestron in integrated control, Lutron in lighting control and shading, Denon and Anthem in AV processing, Blustream and Control4 in AV distribution, Sonos in multi-room audio, and Sony, Samsung and LG among display brands.<br />Sony and JVC were identified among the leading front-projector brands.<br /><br /><strong>Should cinemas and media rooms be one category?</strong><br /><br />The presentation also prompted an interesting debate over how the CI industry itself should be measured.<br /><br />One attendee at the event, questioned CEDIA's decision to separate dedicated cinemas and media rooms within the research.<br />“I think that hides the scale of the category,” he argued.<br /><br />“The product set is largely the same, the skill set is largely the same, and actually customers… have no idea what the difference is between a dedicated room and a media room.”<br /><br />He suggested that combining the categories would make them the largest category within the study. <span>Bardach</span> acknowledged the point, explaining that CEDIA had consulted with industry members when developing the categories, but that decisions had ultimately needed to be made.<br /><br /><strong>Is it time to include light commercial?</strong><br /><br />Another question highlighted the changing nature of the integrator's role, given that many companies operating within the residential CI sector are also working on projects involving bars, restaurants, clubs and hospitality.<br /><br />“For the moment we're only focused on residential,” <span>Bardach</span> explained, while adding that commercial was not necessarily ruled out for the future.<br /><br />The longer-term ambition for CEDIA's research programme is considerably bigger than the UK study.<br /><br />The US and UK research has been carried out using the new methodology, with India next in line, followed by a Europe-wide study planned for 2027 and Canada expected in late 2027 or early 2028.<br /><br />The objective is eventually to be able to compare markets using the same methodology.<br /><br />“Once we have that, then we can really do some exciting stuff comparing and contrasting markets,” said <span>Bardach</span>.<br /><br />“The end goal” is a worldwide comparative view of the professional smart home industry, with the same questions, scales and methodology used across territories wherever possible.<br /><br />The full report can be downloaded from <a href="https://my.cedia.org/Shop/Product-Catalog/Product-Details?productid=7580E113-6095-F111-8076-6045BDF08185" target="_blank">CEDIA’s website here</a>.</p>]]></content:encoded></item><item><title>Industry veteran Mike Beatty reports on CEDIA Denver 2026</title><link>http://www.insideci.co.uk/articles/industry-veteran-mike-beatty-reports-on-cedia-denver-2026.aspx</link><pubDate>Thu, 24 Sep 2026 00:00:00 GMT</pubDate><guid>http://www.insideci.co.uk/articles/industry-veteran-mike-beatty-reports-on-cedia-denver-2026.aspx</guid><description>&lt;p&gt;The Founder of Directly AV reflects on the changing nature of the CI trade show&lt;/p&gt;</description><content:encoded>&lt;img src="http://www.insideci.co.uk/imagegen.ashx?width=300&amp;image=/media/18764098/mike-betty-at-cedia-2.jpeg" /&gt;<![CDATA[ <p>I flew out to Denver on my own this year for CEDIA Expo and, in some ways, it felt a little different from previous trips.</p>
<p>I’ve been coming to CEDIA shows for a very long time and, for much of my career, I’d arrive with a fairly fixed agenda. There would be brands to represent, customers to entertain, meetings booked from morning until night and usually a team of people around me.</p>
<p>This time I had a bit more freedom. I was there to meet people, look at what’s happening, have conversations and, perhaps more than I’ve done in the past, just walk the show and take it all in. And I thoroughly enjoyed it.</p>
<p>I’ve recently written about my first trip to India and how interesting it was to experience an AV market I’d never visited before. Denver obviously couldn’t have been more different, but I found myself doing much the same thing: talking to people, listening and trying to understand how they’re feeling about the market and where they think things are heading.</p>
<p>I don’t think anyone is pretending it’s easy out there at the moment. Business is challenging in many parts of the world; manufacturers are having to think carefully about where they spend their money and integrators have more choice than ever.</p>
<p>Which made something about CEDIA particularly noticeable. There were still manufacturers spending serious money to be there and, more importantly, making a real effort to demonstrate their products properly.</p>
<p>I’ve always loved that about our industry. Some products can be understood from a photograph and a specification sheet. Great AV isn’t always like that. Sometimes you need to sit in the room, close the door and experience it.</p>
<p>There were some outstanding demonstration rooms in Denver and quite a few occasions where I found myself thinking about just how far we’ve come. I don’t want to turn this into a list of who had the biggest room, the most speakers or the latest piece of technology because there are plenty of show reports that will do that far better than me. What interested me was the commitment.</p>
<p>Building these rooms isn’t cheap. Neither is shipping everything to a show or bringing in the right people to design, install and demonstrate them. So, I found it encouraging to see companies continuing to invest and effectively saying, come in and experience what we’ve built.</p>
<p>One company I will mention is Kaleidescape. I have a long history with the brand from my distribution days, and it was great to see the grand exhibit they had created right on the show floor. It was difficult to miss and felt like a confident statement from a company continuing to invest heavily in our industry.</p>
<p>That sort of thing matters. Trade shows need a bit of theatre. They need companies prepared to make an effort and give people a reason to stop, look, listen and talk. Walking around Denver, I thought there was still plenty of that.</p>
<p>There was obviously a lot of new technology too, but perhaps I’ve reached an age where the words “new technology” on their own don’t excite me quite as much as they once did. I’m more interested in what it actually does and whether it makes something better.</p>
<p>Does it improve the experience, help an integrator design a system more accurately or make something easier to install and use? If it does, I’m interested.</p>
<p>One thing I noticed was how much more intelligent the technology surrounding the products is becoming. We’re getting better at modelling rooms, predicting performance and dealing with potential problems before an installation is completed. Processing continues to become more sophisticated and we’re finding increasingly clever ways of getting remarkable performance from systems while hopefully making them simpler for the person who ultimately has to live with them.</p>
<p>Displays continue to get bigger, thinner and more impressive. Audio continues to move forward and the quality available from professionally designed systems is extraordinary. Some of what we now accept as normal would have looked fairly ridiculous if somebody had shown it to me when I started in this industry.</p>
<p>And then, inevitably, there’s AI.</p>
<p>I’m fascinated by it, although I think we’re still working out where it genuinely adds value and where somebody has simply added the letters AI because they think they should. I suspect some of its biggest impact on our industry may eventually happen behind the scenes, helping people design, programme, diagnose, predict, communicate and generally remove some of the repetitive work that consumes time.</p>
<p>I certainly don’t see it replacing the knowledge of a great designer, engineer or integrator. Used properly, I think it will make them even better at what they do.</p>
<p>But for all the technology in Denver, my favorite part of the week had very little to do with products. It was the people.</p>
<p>One of the slightly strange things about having been in an industry for more than 35 years is walking around a trade show and realising just how many people you’ve accumulated along the way.</p>
<p>I caught up with people I’ve known for decades, some of whom have created brands and technologies that helped shape the industry we work in today. I met plenty of newer faces too and had some fascinating conversations with manufacturers and integrators about what they’re doing and where they see the opportunities.</p>
<p>That’s the bit of a trade show I still don’t think you can replace. We can all jump on Teams, watch product launches online and probably conduct a perfectly respectable business relationship with someone on the other side of the world without ever meeting them. But it’s not quite the same as bumping into somebody on a show floor, grabbing twenty minutes together and having a conversation that wasn’t in the diary.</p>
<p>This year I also joined CEDIA.</p>
<p>Having worked in the industry for as long as I have, I’ve obviously known CEDIA and many of the people involved with it for years, but this was the first time I’d experienced the show properly as a member.</p>
<p>The team made me feel incredibly welcome and Matt and Wendy in particular went out of their way to introduce me to people they felt I should know. Those introductions weren’t simply a case of collecting a few more business cards. They introduced me to individuals who could potentially help Directly AV with what we’re trying to achieve, creating opportunities for the brands we work with in the US and ultimately around the world.</p>
<p>I’ve heard people over the years question the value of belonging to organisations such as CEDIA. Having now experienced it from this side, I think anyone who doesn’t see the benefit of their CEDIA membership probably isn’t utilising it properly.</p>
<p>Talk to them. Tell them what you’re trying to achieve. Ask for introductions and get involved. That’s what I did in Denver and the value was obvious.</p>
<p>My personal highlight of the trip actually happened away from the CEDIA show floor.</p>
<p>My good friend Wendy Griffiths had asked me to say a few words before she received an Inspiration Award at the Women in Consumer Technology event. I’ve known Wendy for more than two decades, so being able to talk about her contribution to the industry before watching her receive the award was genuinely special.</p>
<p>The CEDIA Awards was another reminder of what I like about this business. Amanda Wildman gave a beautiful and moving speech, I spent the evening sitting with Dan Goldstein, who is just a lovely guy, and every trip across the room seemed to involve stopping to talk to somebody else.</p>
<p>At some point during the week I put something on LinkedIn along the lines of, “I bloody love this industry.”</p>
<p>I do, and I’ve realised over the years that a large part of the reason is the people.</p>
<p>Having a little more freedom to walk around Denver also gave me time to think about some of the challenges we face. There are an extraordinary number of good products competing for attention.</p>
<p>I’ve seen great products succeed during my career and I’ve seen equally great products disappear. Often the difference hasn’t been the engineering. It’s been whether enough people knew the product existed, understood why it was different and had the confidence to specify it.</p>
<p>I think that’s getting harder.</p>
<p>An integrator can only support so many brands. A manufacturer can only attend so many shows and a smaller manufacturer with a genuinely clever product doesn’t necessarily have the marketing budget or international sales infrastructure of the company on the stand next door.</p>
<p>I don’t pretend to have all the answers, but I think that’s an interesting challenge for our industry. How do we make sure good ideas can still find their way to market? How do manufacturers reach integrators efficiently? And how do integrators discover products that might genuinely improve their projects without having to wade through hundreds of brands to find them?</p>
<p>Those are conversations I found myself having quite often in Denver.</p>
<p>Maybe that’s partly because I’m looking at the industry differently these days. After spending most of my working life inside established businesses, I’m enjoying being able to stand slightly further back and ask questions I probably wouldn’t have asked ten years ago.</p>
<p>Despite the challenges in the market, I didn’t fly out of Denver feeling negative about it. Quite the opposite. I saw manufacturers continuing to invest, some fantastic technology, brilliant demonstrations and people finding better ways of doing things we’ve been doing for years.</p>
<p>Most importantly, I saw an industry that still seems to enjoy getting together.</p>
<p>Next year CEDIA Expo moves to Las Vegas, which will undoubtedly give the show a different feel. Denver has been a good home for it and I’ve enjoyed my trips there, but change isn’t necessarily a bad thing. I’ll certainly be interested to see what Vegas brings.</p>
<p>For now, though, I flew out of Denver with pretty much the same feeling I had while I was there.</p>
<p>After 35-plus years, I still love this industry. The technology is incredible, but the people are even better.</p>]]></content:encoded></item><item><title>TCL rides AI‑driven big screen wave at IFA 2026</title><link>http://www.insideci.co.uk/articles/tcl-rides-ai-driven-big-screen-wave-at-ifa-2026.aspx</link><pubDate>Mon, 07 Sep 2026 00:00:00 GMT</pubDate><guid>http://www.insideci.co.uk/articles/tcl-rides-ai-driven-big-screen-wave-at-ifa-2026.aspx</guid><description>&lt;p&gt;Ultra large screens drop jaws at Berlin tech expo&lt;/p&gt;</description><content:encoded>&lt;img src="http://www.insideci.co.uk/imagegen.ashx?width=300&amp;image=/media/18764061/tcl-sqd-mini-led.jpg" /&gt;<![CDATA[ <p>Chinese technology brands dominated IFA 2026, and leading the way was TCL, which used the show to reinforce its dominance across TVs, audio and emerging AI‑powered devices.<br /> <br />TCL’s expertise in ultra‑large TVs was on full display. SQD‑Mini LED models were led by the 98‑inch X11L, which supports native 144Hz refresh rates and Audio by Bang &amp; Olufsen.<br /> <br />The 85‑ and 98‑inch versions reach up to 10,000 nits peak brightness, with the 98‑inch model offering 20,736 dimming zones. TCL confirmed to <em>Inside CI</em> that the largest model would not be coming to the UK, which will be a disappointment to integrators.<br /><br />However, we will see that screen size in the form of the C8L SQD‑Mini LED, also delivering 144Hz gaming performance and B&amp;O sound tuning. TCL’s more affordable C7L is available for streaming enthusiasts and gamers, with VRR.<br /> <br />When asked whether ultra‑large TVs had reached their limit in affordability and quality, TCL Industries CTO Daniel Sun said it depends on panel technology and production constraints, a hint reinforced by the presence of two 163‑inch Micro LED prototypes. These monsters deliver 10,000‑nit HDR brightness, nano‑second response times and more than 24 million self‑emissive chips, offering a glimpse of TCL’s future direction.<br /><br />Sun said that new AI processing technologies are allowing advances in picture quality, particularly at super large screen sizes. Fahad Durrani, Group Product Manager for Google TV, joined Sun on a post keynote panel, added that AI was also transforming the user experience, improving content curation with more naturalistic voice search.<br /> <br />TCL also demonstrated a 32‑inch glasses‑free 3D 8K monitor. This prototype produced convincing foreground dimensional effects when viewed from the sweet spot. TCL also leaned into immersive wearables, unveiling RayNeo iO Smart Glasses and RayNeo GT Max AR Glasses.<br /> <br />The GT Max is the world’s first Dolby Vision‑certified AR eyewear, offering a wide cinematic field of view and vivid colour reproduction.<br /> <br />Audio wasn’t an afterthought. TCL introduced new soundbars tuned by Bang &amp; Olufsen, led by the Q95K, an 11.1.4‑channel Dolby Atmos system with 1,420W of power and 22 drivers across the bar, wireless subwoofer and wireless rears (again not coming to the UK). Instead our flagship is the Q85K, a 7.1.2‑channel design without rear speakers, while the Q75K and slimline A65K round out the range.</p>]]></content:encoded></item><item><title>Krix speakers bring commercial cinema sound home</title><link>http://www.insideci.co.uk/articles/krix-speakers-bring-commercial-cinema-sound-home.aspx</link><pubDate>Mon, 17 Aug 2026 00:00:00 GMT</pubDate><guid>http://www.insideci.co.uk/articles/krix-speakers-bring-commercial-cinema-sound-home.aspx</guid><description>&lt;p&gt;We visit CAVD to discover one of home theatre's best kept secrets&lt;/p&gt;</description><content:encoded>&lt;img src="http://www.insideci.co.uk/imagegen.ashx?width=300&amp;image=/media/18709633/krix-demo.jpeg" /&gt;<![CDATA[ <p>When it comes to dedicated home cinema loudspeakers, there are only a handful of brands that consistently crop up in conversations between passionate integrators. One name that perhaps doesn't receive the attention it deserves in the UK is Krix.<br /><br />To learn more about the Australian specialist, <em>Inside CI</em> recently visited CAVD's Marlow showroom, where the team hosted an in-depth training and demonstration day designed to showcase not only the products, but the engineering philosophy that has made Krix one of the world's premiere cinema speaker manufacturers.<br /><br />Our day began with introductions from the CAVD team, highlighting just how much expertise exists within the business. With backgrounds spanning retail, installation, technical support and distribution, it was clear that everyone in the room shared the same passion for delivering exceptional home cinema experiences.<br /><br />The recently refreshed Marlow showroom also provided the perfect setting, featuring several demonstration rooms showcasing some of the latest cinema technology alongside products from Origin Acoustics, JVC and, of course, Krix.<br /><br /><strong>More than just another speaker brand</strong><br /><br />Krix's heritage runs deep.<br /><br />Founded almost 50 years ago in Adelaide, Australia, by Scott Krix, the company has remained independently owned and continues to design and manufacture its loudspeakers locally. While many enthusiasts know the brand from the residential market, its roots are firmly embedded in cinema.<br /><br />With more than 4,000 commercial installations worldwide, Krix has developed much of its technology for some of the most demanding audio environments imaginable before adapting it for home theatre.<br /><br />That commercial DNA is evident throughout the range.<br /><br /><strong>Engineering before marketing</strong><br /><br />Krix doesn't chase marketing trends. Instead, every product is built around solving genuine acoustic challenges.<br /><br />Case in point: the company's patented Infinite Baffle Wall concept. Rather than treating the baffle wall as an afterthought, Krix has engineered its speaker systems to become part of the wall itself, improving efficiency, reducing unwanted rear reflections and delivering measurable performance gains of between 9 and 12dB.<br /><br />For installers, it's also a cleaner and more repeatable installation method.<br /><br />Then there’s Krix's proprietary horn design. Horn-loaded speakers have a reputation for sounding aggressive or having a very narrow listening position. Krix has spent over a decade refining its own waveguide technology to overcome this, creating a speaker that maintains the dynamics and efficiency horns are famous for, while delivering a much wider sweet spot and a far more natural presentation.<br /><br />"The goal isn't simply louder sound, it's effortless sound, allowing every seat in the room to experience the same level of detail and impact," I was told.<br /><br /><strong>A solution for every cinema</strong><br /><br />Rather than offering an overwhelming catalogue, Krix has developed clearly defined product families designed around room size and application.<br /><br />The MX Series forms the heart of its dedicated cinema offering, beginning with the compact MX5 before progressing through the popular MX10 and MX20 MkII, right up to the flagship MX30 and MX40 systems for larger private cinemas.<br /><br />As you step up the range, larger compression drivers, improved horn designs and increased efficiency all contribute to better dynamics and lower distortion. It was refreshing to hear the engineering explained in practical terms rather than simply quoting power figures and frequency response graphs.<br /><br />Alongside the dedicated cinema range, Krix also introduced us to its LX Series, including the cleverly designed LX7 LCR speaker. Designed specifically for media walls and living spaces, it provides a genuine cinema-quality front stage where space is limited, making it an attractive alternative to many lifestyle audio solutions.</p>
<p><strong>Bass done properly</strong><br /><br />No serious cinema system is complete without exceptional low-frequency performance.<br /><br />The company offers an extensive range of passive and active subwoofers, with options scaling from compact models through to enormous dual 18-inch designs intended for the largest private theatres, all conceived to deliver clean, controlled bass.<br /><br />Of course, technical presentations only tell half the story. The highlight of our day was undoubtedly spending time in CAVD's dedicated demonstration room.<br /><br />Here, the system comprises Krix MX20 loudspeakers supported by multiple Cyclonic subwoofers, powered by an Audio Control Hyperion Processor and Origin Pro amplifiers. Video is via a JVC DLA-NZ900 projector and acoustically transparent projection screen.<br /><br />We ran through a selection of movie clips and music to showcase exactly what the system was capable of.<br /><br />Dialogue always remained crystal clear, effects moved seamlessly around the room and LFE was both powerful and incredibly controlled. Even during demanding action sequences, the system never strained.<br /><br />Atmos music clips were equally revealing, creating a genuinely immersive experience that highlighted just how effective a properly designed cinema system can be.<br /><br /><strong>Designed with installers in mind</strong><br /><br />As expected with an audience full of professional integrators, discussions quickly moved beyond products and into installation techniques. Topics ranged from overcoming shallow UK ceiling voids for immersive audio installations to practical advice on baffle wall construction, cable management and future-proofing projector infrastructure.<br /><br />Several attendees also discussed industry standards, RP22 recommendations and the future role of CEDIA, leading to some lively, but constructive, debate about maintaining installation quality across the industry.<br /><br />Moving forward, Krix says it doesn’t want to focus on sales volume alone. It wants to create a knowledgeable dealer network built on training, demonstration facilities and technical competence.<br /><br />A proposed Cinema Circle programme would prioritise education and support over traditional sales targets, rewarding dealers who invest in product knowledge and customer experience rather than simply shifting boxes.<br /><br />It's an approach that felt very much in keeping with the rest of the day's message.<br /><br />Having spent the day with the CAVD and Krix teams, it's easy to understand why the brand has developed such a loyal following. Every design decision appears to stem from decades of commercial cinema experience rather than marketing trends, resulting in products engineered to solve genuine installation and performance challenges.<br /><br />Whether discussing horn design, baffle walls, room sizing or dealer support, everything came back to delivering a more authentic cinema experience.<br /> <br />Built by cinema people, for cinema people. That’s Krix's philosophy.<br /><br /><em>Inside CI would like to thank the teams at CAVD and Krix for their hospitality and for delivering an engaging, informative and refreshingly honest training day.</em></p>]]></content:encoded></item><item><title>Arcam puts music first with new AV and Hi-Fi range</title><link>http://www.insideci.co.uk/articles/arcam-puts-music-first-with-new-av-and-hi-fi-range.aspx</link><pubDate>Wed, 12 Aug 2026 00:00:00 GMT</pubDate><guid>http://www.insideci.co.uk/articles/arcam-puts-music-first-with-new-av-and-hi-fi-range.aspx</guid><description>&lt;p&gt;Inside CI gets an exclusive product hands-on at CUK showroom&lt;/p&gt;</description><content:encoded>&lt;img src="http://www.insideci.co.uk/imagegen.ashx?width=300&amp;image=/media/18709618/cuk-showroom-with-arcam.jpeg" /&gt;<![CDATA[ <p>Legendary British audio brand Arcam is having quite the year. Having surprised visitors to High End Vienna with a whole new visual identity, the Harman-owned brand has now rolled out a comprehensive new line of home cinema and stereo components.<br /><br />Eager to get hands on, Inside CI recently paid a visit to the CUK Ascot showroom for an exclusive first look at what transpires to be a completely redesigned AV and two-channel amplifier range.<br /> <br />Our mission? To get a deeper insight into the engineering, design philosophy and thinking behind what is arguably Arcam's most ambitious product development programme to date.<br /><br />Walking into the CUK showroom, it quickly became apparent that this wasn't simply another annual refresh. Harman has invested heavily in Arcam over recent years, expanding its engineering team in Cambridge, investing in new manufacturing facilities and significantly increasing software development.<br /><br />That investment has resulted in a completely new platform from the ground up.<br /><br />Throughout the presentations, one message was repeated time and time again – music comes first.<br /><br />Rather than designing an AV receiver around cinema performance before refining its stereo credentials, Arcam has reversed the process. Every product is engineered to excel as a two-channel amp before being finessed as a multichannel platform.<br /><br />When it comes to custom install, that's a reassuring philosophy. Clients expect one system to perform equally well for music streaming and immersive cinema.<br /><br />"The new range isn't just about adding features, it's about delivering better sound, whether you're listening to stereo music or watching the latest blockbuster," I was told.<br /><br />The visual redesign of the range speaks volumes.<br /> <br />The new industrial styling feels cleaner and more contemporary than previous generations, with subtle yellow accents giving the kit a distinctive identity.<br /><br />The user experience has also been modernised. The new full-screen HD graphical interface is easy to navigate and provides a much clearer overview of speaker layouts and system configuration.<br /><br />Perhaps the biggest surprise was the new Bluetooth remote control.<br /><br />Moving away from traditional infrared means no line-of-sight is required, making rack installations significantly easier while still providing direct access to inputs, surround modes, lip-sync adjustments and even Dirac filter selection.<br /><br />A dedicated Arcam Control app complements the hardware, allowing installers to complete system configuration directly from a mobile device.<br /><br /><strong>Arcam’s new Home Cinema amplifiers</strong><br /><br />Arcam's new lineup has been designed to cover a broad spectrum of installations.<br /><br />The AVA15 is an entry-level integrated amplifier that delivers nine channels of Class D power, with 12-channel processing. Thanks to its compact chassis and switch-mode power supply, it runs cool and should prove particularly attractive for enclosed cabinets and smaller racks.<br />Moving up the range, the AVA25 introduces Class AB amplification powered by a substantial toroidal transformer. Increased current delivery makes it better suited to more demanding loudspeaker systems, while retaining the familiar Arcam sound signature.<br /><br />The AVA35 is the flagship, and one of the stars of the day. Employing Arcam's highly regarded Class G amplification, premium DAC architecture and flexible channel assignment, the AVA35 is aimed squarely at dedicated cinema installations where performance is the priority.<br /><br />For installers building larger systems, the AVP45 processor offers balanced XLR connectivity and extensive processing flexibility, while the new PA4 four-channel amplifier provides an elegant solution for expanding beyond the nine onboard amplifier channels.<br /><br /><strong>Dirac continues to lead</strong><br /><br />No premium AV platform would be complete without sophisticated room correction, and Arcam continues to place Dirac at the centre of its offering. Every model in the new range includes the full version of Dirac Live, together with the required measurement microphone.<br /><br />Optional upgrades unlock Dirac Live Bass Control and the increasingly impressive Active Room Treatment (ART), which actively manages low-frequency behaviour throughout the listening room rather than simply correcting frequency response.<br /><br />Demonstrations clearly highlighted how much more cohesive bass integration becomes, particularly in systems using multiple subs. For pro installers, these tools continue to be among Arcam's biggest advantages.<br /><br /><strong>Stereo still matters</strong><br /><br />Interestingly, a significant portion of our day focused on stereo rather than home cinema.<br /><br />The brand’s new SA35 and SA45 streaming amplifiers suggest many homeowners are looking for a significant upgrade over traditional soundbars, without immediately investing in a full surround system.<br /><br />With HDMI ARC, integrated streaming platforms, dual independent sub outputs, processor bypass and Dirac Live, these amplifiers offer a compelling bridge between high-performance stereo and future home cinema expansion.<br /><br />We got to hear them paired with the new R Series loudspeakers and were impressed with their clarity, control and musicality. It's easy to see why Arcam believes these products could become the heart of many premium media wall installations.<br /><br />Developed using Harman's extensive acoustic research and testing facilities, the new R Series employs advanced waveguide technology designed to improve off-axis performance, and create a more consistent listening experience throughout the room.<br /><br />The full range includes floorstanding, bookshelf and centre-channel speakers, alongside a dedicated 750W subwoofer, which means installers can now specify a complete Arcam system from source to speaker<br /><br />"For many homeowners, these amplifiers could become the perfect alternative to a premium soundbar while providing a clear upgrade path into a full cinema system later."<br /><br /><strong>Built for installers</strong><br /><br />One of the strongest impressions from the day wasn't simply the sound quality, it was how installer-focused the new platform feels.<br /><br />Comprehensive IP control, Bluetooth remotes, flexible channel reassignment, rack-friendly amplifier options, processor bypass modes, HDMI 2.1 connectivity, a dedicated installer configuration app and integrated streaming services, all demonstrate that Arcam has spent considerable time listening to feedback from the integration community.<br /><br />For installers, that's arguably just as important as the performance itself.<br /><br /><strong>A confident step forward</strong><br /><br />Having spent the day exploring the new range, it's clear that Arcam hasn't simply refreshed its product catalogue, it’s fundamentally rethought its approach to AV.<br /><br />The combination of outstanding stereo performance, installer-focused flexibility, modern software and impressive industrial design makes this one of the strongest AV launches we've seen in recent years.<br /><br />While final judgement will ultimately come from long-term installations in customers' homes, first impressions are extremely positive.<br /><br />Arcam has successfully modernised its platform without losing the musical performance and engineering values that made the brand popular with installers in the first place.<br /><br />For integrators looking for a premium AV solution that delivers equally strong cinema and music performance, this new range deserves serious attention.<br /><br /><em>Inside CI would like to thank the teams at Harman and CUK for the invitation, their hospitality and for taking the time to provide such an informative and engaging insight into the engineering behind the new Arcam range.</em></p>]]></content:encoded></item><item><title>How Sonos built Amp Multi around real installer needs</title><link>http://www.insideci.co.uk/articles/how-sonos-built-amp-multi-around-real-installer-needs.aspx</link><pubDate>Mon, 10 Aug 2026 00:00:00 GMT</pubDate><guid>http://www.insideci.co.uk/articles/how-sonos-built-amp-multi-around-real-installer-needs.aspx</guid><description>&lt;p&gt;Seamless whole-home audio without unnecessary complexity&lt;/p&gt;</description><content:encoded>&lt;img src="http://www.insideci.co.uk/imagegen.ashx?width=300&amp;image=/media/18709613/sonos-amp-multi-at-ise.jpg" /&gt;<![CDATA[ <p>Watch our First Look video <a href="https://linkly.link/2qZMG">HERE</a> </p>
<p>Developed through Sonos' most extensive dealer research programme to date, Amp Multi translates real installer feedback into practical advantages, with insights on performance, setup, usability and integration shaping its design to directly solve industry needs. The result combines faster deployment, intuitive system configuration and flexible multi-zone audio management to form a one-of-a-kind multi-channel amplifier built specifically around the needs of industry professionals.</p>
<p><br /><strong>Built for installers, with installers</strong><br /><br />More than 1,000 conversations with dealers and customers including feedback from 790 professional integrators helped shape Amp Multi’s design and feature set.<br /> <br />One of the clearest messages Sonos heard from installers was that efficiency matters, so Amp Multi has been engineered with this in mind. Configuration is straightforward as Amp Multi offers intuitive, PIN-free setup through the Sonos app, supporting a faster installation process. Smart default settings and clear front and rear LED indicators help installers get systems running quickly and efficiently, reducing complexity and allowing more time to focus on delivering the best possible outcome for the client.<br /> <br />Its rack-friendly form factor, optimised cable layout and dedicated rack mount accessory further simplify deployment, helping installers create clean, organised installations while making the most of valuable rack space. Even the packaging Amp Multi arrives in has been designed to reduce waste and speed up the installation process from the moment the product arrives on site.<br /><br /><strong>Flexibility for every home</strong><br /><br />Every project is different and no two homes have identical requirements, so while ease of installation is critical, professional installers also need flexibility.<br /><br />Amp Multi provides the tools integrators need to customise audio performance across a wide range of applications. ProTune manual tuning controls enable precise speaker optimisation, while flexible zone assignment allows systems to be configured according to the unique needs of each property. Four native Sonos streams support simultaneous playback in multiple areas, creating seamless whole-home audio experiences without adding unnecessary complexity.<br /> <br />The amplifier is also designed to integrate smoothly into existing ecosystems. Compatibility with major control platforms, leading streaming services and the wider Sonos platform enables installers to deliver consistent user experiences throughout the home while leveraging technologies clients already know and trust.<br /> <br /><strong>Keeping cool under pressure</strong><br /><br />Thermal management was identified as a major priority during Sonos' research, leading to the incorporation of next-generation Gallium Nitride (GaN) technology within Amp Multi. This approach enables higher output with lower energy consumption while supporting long-term performance and system stability. The hardware has also been designed to maximise airflow and thermal efficiency while passive, fanless cooling helps maintain quiet operation.<br /> <br /><strong>A product of partnership</strong><br /><br />The dealer community made one thing clear: the CI channel was waiting for a next-generation multi-zone amplifier from Sonos that reduced install complexity without compromising performance or the Sonos experience. Amp Multi is the answer to their questions. Amp Multi reflects Sonos' ongoing commitment to the professional installation community. By engaging dealers earlier and more deeply during product development and applying their real-world feedback, Sonos are finding even better ways to bring their shared mission of great sound in the home to life.<br /><br /><strong>Performance you can depend on</strong><br /><br />For integrators looking to deliver high-performance multi-room audio while improving installation efficiency and maintaining flexibility, Amp Multi offers a solution built specifically for the realities of modern residential projects. It’s fast to deploy, simple to scale, and engineered for the long run. By combining professional-grade functionality with streamlined deployment and the familiar Sonos experience, it provides a practical foundation for the next generation of whole-home audio installations.</p>
<p>Order today from <a href="https://linkly.link/2qzNN">Alltrade</a></p>
<p>Watch our First Look video <a href="https://linkly.link/2qZMG">HERE</a> </p>]]></content:encoded></item><item><title>Back with a fresh perspective: Introducing Directly AV</title><link>http://www.insideci.co.uk/articles/back-with-a-fresh-perspective-introducing-directly-av.aspx</link><pubDate>Fri, 24 Jul 2026 00:00:00 GMT</pubDate><guid>http://www.insideci.co.uk/articles/back-with-a-fresh-perspective-introducing-directly-av.aspx</guid><description>&lt;p&gt;Mike Beatty on his new venture, and why relationships matter more than transactions&lt;/p&gt;</description><content:encoded>&lt;img src="http://www.insideci.co.uk/imagegen.ashx?width=300&amp;image=/media/18677915/mike-and-stuart.jpeg" /&gt;<![CDATA[ <p>Long standing industry veteran Mike Beatty is busy writing a new chapter in a storied career that has seen him at the forefront of the UK custom install scene for over 30 years.<br /> <br />Having spent decades building relationships throughout the CI industry, Mike recently took time off to work on something rather special. Now, alongside an increasing presence at industry events and a steady stream of conversations with manufacturers and integrators, he’s close to launching DirectlyAV, a business, he says, that will challenge conventional thinking, while acknowledging the important role existing routes to market continue to play.<br /><br />As Founder and Managing Director of Directly AV, he says his intention is to ‘help good businesses become even better.’<br /> <br />To learn more, <em>Inside CI</em> director Stuart Burgess sat down with Mike over breakfast to talk about why he came back, what he’s learned during his time away and why he believes our industry has room for more than one way of doing business.<br /><br /><em>Stuart</em>: Mike, we’ve known each other for a long time. If I’m honest, I thought you’d left the AV industry for good.<br /><br /><em>Mike</em>: (Laughs) So did I. I genuinely thought I’d had enough of the AV industry. Turns out I just needed a break. Stepping away gave me something I’d never really had before. Perspective.</p>
<p>For the first time in years I wasn’t caught up in the day-to-day demands of running a business. I had time to think, listen and reflect.<br />What I realised was that it was never the industry I’d fallen out of love with. I just needed to recharge.<br /><br />The last few months have reminded me why I’ve always enjoyed this business so much. It’s the people, the relationships and the opportunity to help businesses succeed.<br /><br />That’s what brought me back.<br /><br /><em>Stuart</em>: So what does a break teach someone who’s spent most of their career in AV?<br /><br /><em>Mike</em>: How lucky I’ve been. You don’t always appreciate the relationships you’ve built until you step away from them. The number of phone calls, coffees and messages I’ve had over the last few months has genuinely humbled me.</p>
<p>It reminded me that products change. Businesses evolve. Technology moves on. Good relationships don’t. That’s probably the biggest lesson I’ve taken from the last year.<br /><br /><em>Stuart</em>: You’ve been talking to a lot of manufacturers recently. What have those conversations told you?</p>
<p><em>Mike</em>: That there isn’t one model that’s right for everyone. That every manufacturer is different. Some need technical support, warehousing, finance, training and everything that great value-added distribution provides. Others are looking for something completely different.<br />They might need help telling their story, communicating more effectively, growing in new territories or building stronger relationships with integrators.<br /><br />That’s really what I’m building my business around. DirectlyAV is part of that, but it’s not the whole story. I’ll be supporting different manufacturers in different ways depending on what they actually need.<br /><br /><em>Stuart</em>: Let’s talk about <a href="https://linkly.link/2o6aA" target="_blank">DirectlyAV</a> then. Is it a technology platform or is it really about something bigger?</p>
<p><em>Mike</em>: The technology is important because it removes friction. But technology has never built a lasting partnership, people do. I’ve always enjoyed introducing good people to each other, helping businesses communicate better and creating opportunities that might never have happened otherwise.</p>
<p>DirectlyAV gives me another way of doing that.</p>
<p>For some manufacturers it’ll provide a direct route to carefully selected integrators through a modern platform. For others, my involvement will be much more about marketing, business development, communication and helping them build stronger relationships within the industry.<br />The common thread is always the same.<br /><br />Helping good businesses become even better.<br /><br /><em>Stuart</em>: Some people reading this will inevitably think you’re trying to upset the traditional distribution model. Are they right?<br /><br /><em>Mike</em>: Not at all. In fact, I’d say exactly the opposite. Distribution has played, and will continue to play, an incredibly important role in our industry. There are many businesses delivering exceptional value through technical support, logistics, finance, stockholding and training.<br />That model absolutely has its place.<br /><br />What I’m saying is that our industry has evolved. There are now some manufacturers who want a different route to market. Some want closer relationships with integrators. Some simply want to communicate better.<br /><br />Some are looking for a model that allows products to remain competitively positioned once they reach the end customer. That doesn’t make one model right and another wrong. It simply means manufacturers deserve choices.</p>
<p><em>Stuart</em>: So what problem are you actually trying to solve?<br /><br /><em>Mike</em>: Sometimes great products become difficult to justify because too many layers are added before they reach the customer. That isn’t a criticism of anyone - it’s just commercial reality.</p>
<p>Where it’s appropriate, I’d like to help manufacturers build closer relationships with integrators, give dealers the opportunity to improve their margins or simply keep retail pricing sensibly positioned.<br /><br />If we can achieve that while maintaining excellent service and support, everybody wins.<br /><br />Manufacturers become closer to their customers.Integrators become more competitive. End users receive better value. That’s good for the industry.<br /><br /><em>Stuart</em>: Listening to you, it feels as though relationships are still at the centre of everything you do.<br /><br /><em>Mike</em>: Always. Technology should remove friction, it shouldn’t replace relationships. I’ve always believed that the strongest businesses are built on trust long before they’re built on transactions. That’s never changed.</p>
<p><em>Stuart</em>: You’ve always been someone who enjoys helping people succeed. Is that still what gets you out of bed on a Monday morning?<br />Mike: Without question. I love making a difference in people’s lives.<br /><br />Whether that’s helping a manufacturer grow, supporting an integrator, introducing two people who go on to build a successful partnership or simply helping someone become the best version of themselves.<br /><br />That’s what motivates me. Business has never just been about products. It’s always been about people.</p>
<p><em>Stuart</em>: Five years from now, what does success look like?</p>
<p><em>Mike</em>: Honestly? Not turnover. Not the size of the business. Success will be knowing we’ve built a community and a platform that genuinely helps manufacturers and integrators. Something that makes doing business easier. Something people enjoy being part of.<br />If we achieve that, I’ll be very proud.<br /><br /><em>Stuart</em>: And in ten years?</p>
<p><em>Mike</em>: I’d love to see DirectlyAV thriving without me needing to be involved in every decision. That would tell me we’d built something genuinely valuable.<br /><br />The platform itself is exciting, but that’s not the magic. The magic is creating something that consistently benefits the people using it. If it becomes bigger than me, then we’ve done something right.<br /><br /><em>Stuart</em>: Final question: you’ve had some successful chapters in your career already. Why start again?<br /><br /><em>Mike</em>: Because I genuinely believe I can still make a positive contribution. I’ve never been driven by titles. I’ve never been motivated solely by numbers.<br /><br />What excites me is helping people, supporting good businesses and building relationships that last. If DirectlyAV, and the wider work I’m doing with manufacturers, helps move our industry forward in even a small way, then I’ll consider that a success.<br />Most of all though…<br /><br />It’s simply great to be back!<br /><br /><strong>Continue the conversation</strong><br />To coincide with this interview, <a href="https://linkly.link/2o6aA" target="_blank">Mike has released a short film introducing the thinking behind DirectlyAV</a> and the philosophy behind the business. If you’re a manufacturer, integrator or industry professional interested in exploring new ways of working together, Mike would be delighted to continue the conversation.<br /><br />After all, as this interview makes clear, that’s where the best ideas usually begin.</p>]]></content:encoded></item><item><title>High End Vienna 2026: The new shape of premium audio</title><link>http://www.insideci.co.uk/articles/high-end-vienna-2026-the-new-shape-of-premium-audio.aspx</link><pubDate>Sat, 11 Jul 2026 00:00:00 GMT</pubDate><guid>http://www.insideci.co.uk/articles/high-end-vienna-2026-the-new-shape-of-premium-audio.aspx</guid><description>&lt;p&gt;Part III - Meet the brands at the pinnacle of performance&lt;/p&gt;</description><content:encoded>&lt;img src="http://www.insideci.co.uk/imagegen.ashx?width=300&amp;image=/media/18653510/bowers-wilkins-800-d5.jpg" /&gt;<![CDATA[ <p>If there was one product launch that drew consistently large crowds throughout High End Vienna 2026, it was the unveiling of Bowers &amp; Wilkins' new 800 Series Diamond D5.<br /><br />The 800 Series has long occupied a unique position within high-end audio. It’s as likely to be specified in world-class recording studios as it is in luxury homes, making each new generation relevant not only to enthusiasts but also to those designing premium media rooms and listening spaces.<br /><br />The D5 range represents the fifth generation to employ the company's Diamond Dome tweeter technology and introduces seven models. Alongside the flagship 801 D5 are a choice of floorstanding loudspeakers, compact standmount models and a dedicated centre speaker intended for high-performance home cinema installations.<br /><br />Rather than reinventing the formula, Bowers &amp; Wilkins has concentrated on refining it. Drawing on technologies developed for its Signature Series and research carried out at its Southwater Research Establishment, the D5 introduces improvements to cabinet construction, crossover design and mechanical isolation alongside further acoustic optimisation.<br /><br />Prices begin at £10,000 for the 805 D5 standmount and extend to £43,000 for the flagship 801 D5. While these remain aspirational products, the engineering advances introduced here are likely to influence future generations throughout the wider Bowers &amp; Wilkins portfolio.<br /><br />JBL approached flagship loudspeaker design from a rather different direction.<br /><br />Its new Summit Everest and Summit K2 continue a lineage stretching back decades, remaining faithful to the company's distinctive large-format horn philosophy while incorporating newly developed compression drivers and composite cone materials.<br /><br />The Summit Everest is unmistakably bold. Configured as a 3.5-way floorstander, it employs a newly engineered mid/high-frequency system coupled to a custom Sonoglass High-Definition Imaging horn designed to improve directivity and dynamic expression.<br /><br />The Summit K2 follows the same engineering principles within a more manageable enclosure. It remains a physically substantial loudspeaker, but one more likely to find its way into dedicated residential cinema rooms and large listening environments.<br /><br />Pricing reflects their flagship status. The Summit K2 is expected to retail at £71,998 per pair, while the Everest commands £139,998.<br /><br />While six-figure loudspeaker systems inevitably attract attention, another trend quietly gathering momentum throughout the exhibition may ultimately prove more commercially significant.<br /><br />The resurgence of the premium music console continued across multiple manufacturers.<br /><br />Rather than separating streaming, amplification and source components into individual boxes, several companies now favour integrated systems capable of delivering genuine audiophile performance with dramatically simplified installation.<br /><br />Ruark Audio demonstrated this approach with the R710 Music Console.<br /><br />Available in either Fused Walnut veneer or Satin Charcoal lacquer, the system combines 200 watts per channel of Class D amplification with extensive streaming functionality, high-resolution audio support and an attractive 6.8-inch colour display.<br /><br />Importantly, it also acknowledges that physical media has not disappeared. An integrated CD transport sits alongside a built-in moving magnet phono stage, while HDMI ARC and eARC connectivity allow the unit to perform double duty as a television sound system. Bluetooth and multiroom support complete a remarkably comprehensive specification for a product retailing at £2,199.<br /><br />Chord Electronics used Vienna for a global preview of two forthcoming amplifiers.<br /><br />The full-width ULTIMA 7 power amplifier delivers 135W and sits alongside the Blade, a remarkably slim Class G amplifier developed specifically with custom installation applications in mind. Standing just half a rack unit tall, Blade could prove particularly interesting for specialist integrators looking for high-performance amplification in space-constrained installations.<br /><br />Nearby, Chord Company occupied its largest-ever exhibition space, using live demonstrations to illustrate the performance differences between its Signature, SarumT and flagship ChordMusic cable ranges.<br /><br />Cambridge Audio responded with a rather more performance-led interpretation of the same concept.<br /><br />Its new Evo 300 combines 300 watts of amplification with the company's latest StreamMagic Gen 4 streaming platform and an ESS Sabre DAC capable of processing PCM audio up to 32-bit/768kHz alongside DSD512 via USB.<br /><br />HDMI eARC is joined by balanced XLR inputs, analogue stereo inputs, a moving magnet phono stage, Bluetooth 5.4 with aptX HD, dual speaker outputs, subwoofer connection, preamplifier output and a full-size headphone socket.<br /><br />DALI presented perhaps the most visually striking interpretation of this growing category.<br /><br />Its new VEGA abandons conventional stereo altogether, instead concentrating substantial engineering inside a single premium enclosure.<br />Available in Dark Oak and Natural Oak finishes, VEGA incorporates ten custom-designed drive units, including soft dome tweeters and bass-midrange drivers mounted in opposing configurations to minimise cabinet vibration.<br /><br />Power is supplied by eight 50-watt amplifier channels delivering a combined 400 watts.<br /><br />Perhaps most interesting is DALI's Adaptive Stereo Enhancement processing, designed to create an expansive stereo presentation from a single cabinet. Adaptive Orientation Adjustment further optimises performance automatically whether VEGA is positioned horizontally, vertically, freestanding or wall-mounted.<br /><br />The system operates on the BluOS ecosystem, supports high-resolution streaming services and provides HDMI, USB audio, optical, analogue and Bluetooth connectivity.<br /><br />Retailing at £2,599 from September, VEGA felt like one of the exhibition's more carefully considered integrated audio solutions.<br /><br />Not every innovation at High End Vienna was designed for the living room.<br /><br />Before leaving the exhibition, one final demonstration proved particularly memorable.<br /><br />PMC elected not to focus solely on loudspeakers but instead recreated one of its own professional London studios inside the exhibition itself.<br /><br />Known as PMC Studio Vienna, the installation allowed visitors to experience the same monitoring environment used by recording and mastering engineers responsible for countless music and film productions.<br /><br />Throughout the show, the space hosted presentations featuring Grammy Award-winning engineer Steve Genewick, PMC USA president Maurice Patist and renowned mastering engineer Miles Showell. Demonstrations centred on PMC's flagship fenestria loudspeakers while exploring the relationship between professional monitoring and domestic playback.<br /><br />Spending time inside the space reinforced something that occasionally risks being forgotten at Hi-Fi exhibitions. The ultimate goal isn’t simply to build better loudspeakers. It’s to reproduce as faithfully as possible the decisions made in the studio.</p>]]></content:encoded></item><item><title>High End Vienna 2026: Time for vinyl to get extreme</title><link>http://www.insideci.co.uk/articles/high-end-vienna-2026-time-for-vinyl-to-get-extreme.aspx</link><pubDate>Sat, 11 Jul 2026 00:00:00 GMT</pubDate><guid>http://www.insideci.co.uk/articles/high-end-vienna-2026-time-for-vinyl-to-get-extreme.aspx</guid><description>&lt;p&gt;Part II- Analogue continues to surge even as audio tech evolves&lt;/p&gt;</description><content:encoded>&lt;img src="http://www.insideci.co.uk/imagegen.ashx?width=300&amp;image=/media/18653505/pro-ject-harley-collaboration.jpg" /&gt;<![CDATA[ <p>Despite the growing wave of streaming platforms and integrated wireless systems, High End Vienna had lost none of its affection for traditional Hi-Fi. If anything, analogue replay remains as vibrant as ever.<br /><br />Turntables occupied almost every corner of the exhibition. Some were resolutely minimalist. Others resembled precision engineering projects more than music players. There were belt drives, direct drives, skeletal plinths, suspended sub-chassis designs and enough polished aluminium to keep a metalworker occupied for months.<br /><br />Pro-Ject occupied one of the exhibition's largest spaces, presenting what felt like an almost endless catalogue of record players. Among them sat perhaps the show's most unexpected collaboration. Developed with Harley-Davidson, the limited-edition turntable combines brushed aluminium, stainless steel and genuine leather to reflect the iconic American motorcycle marque.<br /> <br />For vinyl enthusiasts seeking outright technical performance, however, Audio-Technica delivered one of Vienna's most intriguing launches.<br /><br />Its new AT-MCD1 moving coil cartridge follows last year's limited-edition 60th Anniversary AT-MC2022 and represents a further refinement of the company's cartridge engineering. Central to the design is a synthetic CVD diamond structure intended to maximise energy transfer while reducing unwanted resonance. The newly developed Shibata stylus profile promises exceptional groove tracing accuracy and improved high-frequency retrieval.<br /><br />The cartridge itself is beautifully engineered, but Audio-Technica made the clever decision to display an oversized cutaway model alongside the finished product. It offered visitors an unusually clear appreciation of the construction techniques normally hidden within a cartridge no larger than a thumbnail.<br /><br />Retailing at £9,999, the AT-MCD1 occupies the very highest end of the analogue market. Few systems will ever justify such an investment. Yet products like this remain important because they continue pushing the boundaries of precision engineering within a mature technology.<br />Technics arrived in Vienna with a notably quieter product story.<br /><br />Rather than unveiling new hardware, the Japanese manufacturer introduced two additional finishes for its popular SL-40CBT direct-drive turntable. Blue and White versions join the existing colour palette from September, broadening the model's lifestyle appeal without altering its engineering.<br /><br />The absence of major announcements did little to diminish interest around the stand. During conversations at the show, company representatives hinted to <em>Inside CI</em> that more significant hardware developments are expected before the end of the year.<br /> <br />If analogue remains healthy, there is little doubt the ultra-premium loudspeaker sector is enjoying renewed confidence.<br /><br />Tannoy marked its centenary with a series of limited-edition loudspeakers celebrating one hundred years of loudspeaker manufacturing.<br /><br /> Production will be extremely restricted, with just 19 pairs of the Westminster Royal GR Centennial Edition and 26 pairs of the Canterbury GR Centennial Edition planned.<br /><br />Visitors also had the opportunity to experience the formidable Westminster Royal GR itself. Weighing around 140kg each and retailing for approximately £55,000, the loudspeakers were partnered with Esoteric electronics and Montaudio cabling in one of the exhibition's more memorable demonstrations.<br /> <br />Elsewhere, another respected name returned after years of relative silence.<br /><br />Abbingdon Music Research formally relaunched its brand with the Luna Series, representing the culmination of seven years of development under celebrated analogue designer John Curl.<br /><br />The range comprises the Luna Ingenii digital-to-analogue converter, Luna Medii preamplifier and Luna Procellarum monoblock power amplifiers. While each product serves a distinct role within the signal chain, collectively they demonstrate a singular engineering philosophy.<br /><br />Proprietary DAC architectures, fully balanced FET amplifier topologies, sophisticated power supply design and carefully selected ultra-low-noise components feature throughout. Production numbers will remain deliberately limited, positioning the Luna Series firmly within the ultra-high-end category.<br /><br />The emphasis is less on novelty than meticulous execution.<br /><br />That same philosophy also defines Goldmund.<br /><br />The Swiss manufacturer chose Vienna to celebrate its own engineering heritage, presenting an exhibition that charted the company's development from its earliest innovations through to its latest reference products.<br /><br />Historic exhibits included the pioneering T3 Tonearm, Goldmund's very first commercial development, together with the celebrated Reference 1 turntable and Telos 8800 amplifier.<br /><br />Yet the greatest attraction remained unquestionably audible rather than visual.<br /><br />Demonstrations centred on the imposing Gaia loudspeakers, priced at around £800,000 per pair and partnered with the company's new Ouranos Excellence electronics and Eidos streamer. Regardless of budget, they represented a fascinating demonstration of what becomes possible when engineering priorities are constrained only by ambition.<br /><br />For most attendees, the system exists well beyond commercial reality.<br /><br />But flagship products perform an important role. They establish engineering credibility, generate technological innovation and often introduce ideas that eventually migrate into more accessible products.</p>
<p>That principle would become even more evident elsewhere on the show floor, where two of the industry's most recognisable loudspeaker manufacturers unveiled significant new flagship ranges aimed at very different audiences…</p>
<p><a href="/articles/high-end-vienna-2026-the-new-shape-of-premium-audio.aspx" target="_blank">Read part three of our High End Vienna show report here</a></p>]]></content:encoded></item><item><title>High End Vienna 2026: Riding the new audio wave</title><link>http://www.insideci.co.uk/articles/high-end-vienna-2026-riding-the-new-audio-wave.aspx</link><pubDate>Sat, 11 Jul 2026 00:00:00 GMT</pubDate><guid>http://www.insideci.co.uk/articles/high-end-vienna-2026-riding-the-new-audio-wave.aspx</guid><description>&lt;p&gt;Part I - Relocated show provides a fresh stage for high-end audio&lt;/p&gt;</description><content:encoded>&lt;img src="http://www.insideci.co.uk/imagegen.ashx?width=300&amp;image=/media/18653499/high-end-vienna-opening.jpg" /&gt;<![CDATA[ <p><br />For more than two decades, High End Munich was one of the constants of the international audio calendar. This year, that changed. After 21 years in Bavaria, Europe's leading Hi-Fi exhibition moved east to Vienna, giving one of the industry's most established events an entirely new setting.<br /><br />Whenever a major trade show relocates, uncertainty inevitably follows. Exhibitors wonder whether visitors will come. Distributors question logistics. Manufacturers hope a new venue won't dilute years of momentum. Walking through the Austria Center Vienna during the opening trade days, those concerns appeared largely unfounded.<br /><br />The Austria Center offers a broader mix of demonstration environments than its predecessor. Large presentation rooms comfortably accommodated statement loudspeaker systems capable of moving serious amounts of air, while smaller rooms created intimate listening spaces better suited to compact products and focused demonstrations. For exhibitors, the flexibility felt like a genuine advantage.<br />Attendance during the trade-only days was strong. Manufacturers, distributors, retailers and press filled the halls from the moment the doors opened, and conversations throughout the exhibition suggested confidence that Vienna could establish itself as the show's long-term home.<br /><br />More importantly, the exhibition itself reflected an industry that continues to evolve.<br /><br />There remains, of course, a healthy appetite for ultra-premium separates. Six-figure loudspeaker systems continue to attract crowds. Turntables remain as fashionable as ever. But increasingly, manufacturers appear less interested in selling individual components and more focused on complete listening ecosystems.<br /><br />Streaming platforms, active loudspeakers, integrated music systems and wireless technologies have redefined the high-end landscape.<br />For CI, that shift has practical implications. Integrated amplification, sophisticated DSP, automatic room correction and app-based configuration continue to reduce installation complexity while broadening the appeal of premium audio beyond the traditional enthusiast.<br />One trend proved impossible to ignore.<br /><br />Chinese manufacturers continue to reshape perceptions of premium audio engineering.<br /><br />Companies such as WiiM, Questyle and Shanling are investing heavily in industrial design, software development and proprietary engineering. They are no longer competing purely on price. Instead, they are challenging long-established manufacturers on features, aesthetics and performance.<br /><br />Perhaps the clearest example came from WiiM.<br /><br />Having established itself through affordable yet capable network streamers, the company used High End Vienna to the WiiM Bar, a 3.0.2-channel soundbar with upward-firing drivers dedicated to Dolby Atmos height effects. Expected to retail at £449, it represents an ambitious move into the increasingly competitive television audio market.<br /><br />Unlike many products in this category, the WiiM Bar places considerable emphasis on user interaction. A circular 2.1-inch touchscreen integrated into the cabinet displays album artwork, playback information and system settings, while seamless integration with the wider WiiM ecosystem enables multi-room playback.<br /> <br />Nearby, Shenzhen-based Questyle made its High End debut with the Oceanic Blue wireless Hi-Fi speaker system, developed in partnership with Norwegian drive unit specialist SEAS.<br /><br />The collaboration combines Questyle's proprietary Current Mode Amplification technology with Wi-Fi 6E networking, AirPlay 2, Huawei HiPlay compatibility and Roon Ready certification. Inside, premium SEAS Excel drive units deliver the acoustic performance, while the striking cabinet design ensured the system attracted attention even before a note was played.<br /><br />Wireless audio has sometimes struggled to convince traditional audiophiles. Products like Oceanic Blue suggest that conversation is beginning to change.<br /><br />Another familiar name also returned with a new identity.<br /><br />Jamo, now owned by Chinese audio distribution company Cinemaster together with engineering specialist Rayleigh Lab, used Vienna to demonstrate how the Danish loudspeaker brand intends to evolve under its new ownership. Development remains rooted in Denmark, while manufacturing spans both Europe and Asia, preserving the company's Scandinavian design language while broadening its engineering resources.<br /><br />Particularly interesting was the new HYG range, named after the Scandinavian concept of hygge. Rather than pursuing outright performance above all else, these products focus on integrating naturally into everyday living spaces.<br /><br />The HYG Flex is designed as an all-in-one home speaker, featuring dual angled tweeters and a dedicated five-inch woofer beneath a soft fabric exterior. HYG Flow takes the concept outdoors with an IPX7-rated enclosure, Auracast compatibility and a substantial 72-hour battery life. Completing the range, HYG Reflect combines wireless audio with an integrated charging surface, making it equally suited to bedside tables and compact living spaces.<br /><br />None of these products attempt to compete with traditional high-end separates - and that’s the point.<br /><br />If the opening halls of High End Vienna revealed anything, it was that premium audio is becoming increasingly diverse. Traditional Hi-Fi remains healthy, but it now shares the spotlight with technologies designed for broader audiences and more integrated homes.<br /><br />That diversity may prove to be one of the exhibition's most significant takeaways.</p>
<p><a href="/articles/high-end-vienna-2026-time-for-vinyl-to-get-extreme.aspx" target="_blank">Read part two of our High End Vienna show report here</a></p>]]></content:encoded></item></channel></rss>
